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The Best Éric Darmon Directed Movies

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poster

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85

/2/

Experimental French composer Pierre Henry, one of the pioneers of musique concrete, is the subject of this documentary that traces his development of a new sound that shocked the music world. During the 1950s, the radical innovator and his colleague Pierre Schaeffer created a unique form of music based on electronically modified environmental noises. Special features include a concert recorded in Paris and the short film "Le Candidat."

poster

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7.0

/8/

This documentary captures the overflowing energy and activity of one today's greatest composers, Philip Glass, and allows us to follow him from New York to London and from Paris to Boston. He speaks about his beginnings, his moving to Paris for two years of intensive study with Nadia Boulanger, his meeting with Indian musician Ravi Shankar and director Robert Wilson, who had a deep influence on his career. The film also shows him at work on the last details of his opera The Sound of a Voice, directed by Robert Woodruff and conducted by Alan Johnson. Éric Darmon's camera, with its poetic shots and original framings, takes us for a musical journey into seven months of the life of the composer who, rising from the underground scene of the seventies, brought on a revolution in modern theater.

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A musical journey to the heart of Brazil following in the traces of Heitor Villa-Lobos. They called him "the white Indian." The white Indian, composer Heitor Villa-Lobos, was born in 1887 in Brazil and owed his nickname to a journey he made in the Amazon to record Indian songs on wax recording cylinders. His prolific and exuberant music (he wrote more than a thousand works!) embodies better than anything else the magic of his native land. His life itself expresses the creative energy of the years that marked the beginning of the 20th century, namely in Paris where he lived and where his circle of friends included Picasso, Varèse, Cocteau, Prokofiev, Ravel and Stravinsky… These adventures that the film recounts are interspersed with fabulous archive footage of Villa-Lobos himself conducting or the pianist Arthur Rubinstein speaking at length and with his usual loquaciousness about their unexpected first encounter.

poster

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A student of Darius Milhaud and Luciano Berio, musician Steve Reich (born in 1936) quickly developed a style of his own, inspired by Baroque music, Bartók, Webern and Stravinsky, as well as jazz, traditional music (especially African), and Hebrew cantillation. As a trailblazing exponent of minimalist music, Reich rejected the characteristic complexity of mid-20th-century classical harmony and tonality in order to make large-scale works from minimal materials a single chord, a brief musical motif, a spoken exclamation – thereby reconciling sacred and popular music. In this profile he looks back on the key stages of his 40-years lasting career, from the formation of his own group, Steve Reich and Musicians, to the American avant-garde he helped to create, from new video performances to his quasi-religious music. Despite his success and wide recognition Steve Reich has never renounced his independent spirit.

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