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The Best Jo Ann Kaplan Directed Movies

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poster

?

45

/2/

Directed by Jo Ann Kaplan.

poster

?

20

/1/

65

/2/

"An Anatomy of Melancholy" is a cinematic meditation on mortality which takes the form of a special anatomy book - one in the process of being made. As hand-drawn illustrations appear slowly and painfully on the pages of the book, showing us parts of a dissected human body, we witness both the act of creation and a testament to our own passing. Accompanying the simple but powerful images of the human body, we hear the words of Keats' Ode on Melancholy: "Ay, in the very temple of Delight. Veiled Melancholy has her sovran shrine..."

poster

?

70

/2/

Directed by Jo Ann Kaplan.

poster

?

20

/1/

80

/2/

A woman sits alone in a bare white tiled bath, reading Georges Bataille’s ‘Story of the Eye.’ The bizarre events described in the text provoke a series of fantasies in which the room and its accoutrements become the stage and the woman the main player. As her dreams unfold in the liquid medium of the bath, she becomes the ‘eye’ of the story and her own body the object of its gaze. With a feminine hand, THE STORY OF I plucks Bataille’s central metaphor from its original context and re-invents its erotic vision from the inside out. The eye is the vagina, seen throught he blood, urine and tears, it looks at itself in a mirror.

poster

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7.7

/16/

10

/1/

A man wakes one day to find a zip on the front of his body. Dare he see what's inside?

poster

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6.1

/36/

40

/2/

50

/2/

Maya Deren is a legend of avant-garde cinema. This authoritative biography of the charismatic filmmaker, poet and anthropologist features excerpts from her pioneering Meshes of the Afternoon and her unfinished documentary on Haiti, interviews with Stan Brakhage and Jonas Mekas, and recordings of her lectures. Narrated by actress Helen Mirren, this definitive documentary offers startling insights into one of the most intriguing, accomplished figures in cinema history.

poster

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10

/1/

70

/1/

The Holy Family Album, Angela Carter’s sacrilegious take on Christian iconography, was one of the points of inspiration for curator Marie Mulvey-Roberts for the Strange Worlds Exhibition. The programme conceives of the representation of Christ in Western art history as photos in God’s photo album, only God the Father is not in pictures because he is behind the camera, taking the photographs, “calling the shots”.

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Experimental drama.

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