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The Best Myron Ort Directed Movies

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poster

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10

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15 min., sound, 1967

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10

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Student film project for San Francisco State University.

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10

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From the Psychedelic Series 1968-1972 / Painting on Film, Optical Printer work, Multiple exposure, pioneering techniques from Psychedelic era.

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10

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From the Psychedelic Series: 1968-1972. Painting on Film, Optical Printer work, Multiple exposure, pioneering techniques from Psychedelic era.

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10

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From the Psychedelic Series: 1968-1972. Early work with the JK Optical Printer. Some of the earliest examples of optically manipulated hand painted film.

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10

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Even by the late 1960s, to my knowledge, there had been no “Abstract Expressionist” non-referential, extended painting applied directly to motion picture film. All previous examples of “direct animation” were more or less figurative, although some by Len Lye involved stenciling and dancing geometric shapes, all previous examples adhered mostly to some kind of a figure based continuity between individual frames.

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10

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A short film by Myron Ort.

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10

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A short film by Myron Ort.

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10

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A short film by Myron Ort.

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6.5

/12/

10

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Originally an 8mm film with hand-painting which was blown up to 16mm and hand-painted again before multiple printings with several optical manipulations. A mandala of ever changing configurations, both angelic and demonic, to be seen as an evanescent phenomenon.

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6.9

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The edited A-roll original prior to reversal wet-gate printing and hand-painting.

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7.5

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10

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Through the veils of multiple exposure at an "Acid Test" party in San Francisco (toward the end of "He's Here Now" ) one might catch a brief glimpse of Ken Kelsey and Neal Cassidy. During those years, when picking up processed film at Multi-Chrome labs in San Francisco, I would sometimes run into and chat with another hero, the great filmmaker Bruce Baillie, one of the original founders of Canyon Cinema.

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10

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"A film produced in Regular 8mm around 1970. At the time this film was very much praised by Stan Brakhage who asked me for a print and urged me to never put a sound track with it." -MO

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10

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13 min., sound, 1967

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6.0

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10

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Transition from psychedelics to Meher Baba. Cinema as path to reality.

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6.1

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41

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73

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3.6

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A love story, as it happened, filmed entirely by the lovers themselves. A joyful affirmation of peace, harmony, and beauty.

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During the ensuing years of developing the land, remodeling the house, the studios, and various outbuildings, as well as various projects and excursions with my partner and friends, I carried around the smallest and humblest of unobtrusive regular 8mm movie cameras with which I could both record interesting moments and also weave a cinematic fabric equivalent to the gestural style and compositional concerns of Abstract Expressionism, a style of painting I had studied, practiced, and related to since the late 1950s. In other words, these film interludes are Abstract Expressionist home movies.

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A short film by Myron Ort.

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Hand painted film. Extended graphic modes explored.

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Filmed in Baja California where the desert sun meets the Pacific Ocean and the Gulf. A rusting shipwreck on the rocks outside of Cabo San Lucas in 1972 provides a central and poignant metaphor for a macro-psychedelic and micro-expressionistic exploration of tropical colors and surfy forms. At the time many innovative and experimental in-camera techniques were used to create a dazzling and mysterious vocabulary of painter’s eye multi-plane cinema. Extensive abstract expressionist hand painting can also be seen in this final version. Meanwhile the shipwreck "Inari Maru" has disintegrated and disappeared back into the sea.

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The artists known as Christo and Jeanne-Claude along with a hired crew of enthusiastic local assistants erected a major early work spanning both Sonoma and Marin counties in Northern California. "Running Fence", the culmination of 42 months of collaborative efforts, was 24.5 miles long and 18 feet high, with one end dropping down to the Pacific Ocean.

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Myron Ort headed up a small team of animators for this 1977 short.

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