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The Best Mark Jenkin Directed Movies

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poster

75

69

7.1

/5622/

71

/261/

69

/93/

3.9

/16182/

100

/40/

57

/22/

83

/9/

age 14+

Martin Ward is a cove fisherman, without a boat. His brother Steven has repurposed their father’s vessel as a tourist tripper, driving a wedge between the brothers. With their childhood home now a getaway for London money, Martin is displaced to the estate above the picturesque harbour. As his struggle to restore the family to their traditional place creates increasing friction with tourists and locals alike, a tragedy at the heart of the family changes his world.

poster

61

5.6

/4299/

53

/202/

53

/58/

3.1

/29162/

79

/102/

22

/31/

78

/28/

3.5

age 14+

A wildlife volunteer on an uninhabited island off the British coast descends into a terrifying madness that challenges her grip on reality and pushes her into a living nightmare.

poster

77

52

6.6

/213/

73

/8/

3.4

/2337/

100

/29/

82

/10/

Mysterious boat returns to a village 30 years after vanishing. Two men join its crew hoping for better fortune. After one voyage, they find themselves transported back in time, mistaken for the original crew.

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60

/1/

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50

/1/

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70

/1/

An old man muses on the plausibility of a memory...in a maize field in Brittany.

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70

/1/

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70

/1/

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80

/1/

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4.0

/8/

50

/1/

?

90

/1/

A vision of transatlantic commonality.

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70

/1/

80

/1/

One of the Bait director’s earliest shorts is a nightmarish vision of life spent behind the wheel, where time melts and car becomes prison. Despite its low budget, The Man Who Needed A Traffic Light sews all the seeds for Bait, and shows the vision in progress of one of Britain’s most exciting filmmakers.

poster

?

7.5

/14/

10

/2/

80

/1/

Mark Jenkin explores his fascination with the magic of film and its life-giving properties in this brand new short film, commissioned by the BFI to mark the Film on Film Festival.

poster

?

5.5

/40/

65

/2/

70

/1/

The curious joy in the warm passing of time is most acute in the long shadows of the end of the line autumn coming stillness

poster

?

5.5

/31/

50

/1/

60

/1/

Mark Jenkin's 2015 short film is a homage to the spontaneous prose of The Beats, from the mythical Cornish west.

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60

/1/

A study of modern social dislocation, via an open and frank conversation between the conscious and the unconscious; a partly fabricated first person diary concerned with truth rather than fact, where the line between reality and fantasy is danced upon without apology.

poster

?

6.5

/6/

60

/1/

British filmmaker Mark Jenkin (whose latest feature Enys Men is part of this year’s Main Slate) mails this postcard from a melancholic holiday in New York and its environs, rendering the city in grainy monochrome Super 8 and a familiar urban soundtrack of jackhammers and traffic hum. In voiceover, the filmmaker relates his experiences of celeb-spotting and visiting movie locales, buying overpriced essentials, and counting MAGA bumper stickers on Long Island.

poster

?

5.3

/10/

An interwoven seaside hymn to gift wrapped promises and unwanted presence.

poster

68

?

6.5

/72/

70

/1/

67

/3/

3.5

/371/

A young couple quest for a roof in this Cornwall-set drama with the atmosphere of a thriller, made with hand-developed B&W 16mm.

poster

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20

/1/

Seven hours and a million miles away from his old life in Kent, Chris Thornton finds himself plunged into the restless local community. Hitching up with two brothers and the son of a local druid, Chris is taken on a trail of discovery and incident, culminating in an event that will irrevocably alter the lives of all four friends.

poster

73

?

6.8

/36/

80

/1/

3.6

/256/

Started in 1993, finished in 2018. "David Bowie Is Dead" is a road movie in and out of london.

poster

?

50

/1/

30

/1/

"In 1993 I travelled to London from Cornwall with the intention of shooting a music video for 'London' by The Smiths. I had transcribed the lyrics and noted the timings and had then made a detailed shot-list. The whole thing would be edited in camera on a single roll of Super 8. Over the next few years I projected the film so many times that much of it became damaged. Here is what is left of that first roll, inter-cut with footage shot a few years ago in East London when I started shooting film again." - Mark Jenkin

poster

75

?

6.8

/44/

90

/1/

3.5

/214/

A poet is driven to complete a poem within an old writing case by the ghost of the last owner.

poster

?

6.2

/34/

70

/2/

70

/1/

A Cornishman's travels in Ireland, through Wexford, Waterford and Cork in search of the familiar.

poster

?

7.5

/17/

A divorcee takes his children on a trip to Cornwall.

poster

?

7.4

/16/

80

/1/

A film poem, that is quiet and angry.

poster

59

?

5.1

/53/

61

/5/

60

/3/

3.3

/321/

A walk through England’s south coast evokes the artists who lived and worked there.

poster

?

“I love films that foreground the fact that you are watching film,” states British director Mark Jenkin, who in his film diary returns, among others, to the Cornwall locations which gave rise to his mesmeric Enys Men. The series of Super8 shots taken from his travels and the comprehensive voice-overs make for a fascinating mosaic of encounters, observations, formative quotations from cinematic and other works, and also possible fantasies. Here, Jenkin demonstrates his ability to give his films an appealing timeless quality and to connect the familiar with the curiously enigmatic. One hundred and one interesting facts from the filmmaker’s diary. (Viktor Palák)

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Audio recorded by Callum Mitchell from interviews conducted with people from the village

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Animation using 4,500 still images

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In spring 2012 three oak trees were delivered to the National Maritime Museum Cornwall, UK. This marked the beginning of an experimental archeology project to build something not seen on these shores for 3,000 years.

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A portrait of a writer and her process

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A film made with, and featuring, poet Callum Mitchell. Sound design by Seamus Carey.

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