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The Best Hiroyuki Oki Directed Movies

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5.8

/7/

Early 8mm film directed by Hiroyuki Oki

poster

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7.6

/18/

20

/1/

Commissioned by the city of Kochi to mark the opening of its Museum of Modern Art, this experimental feature by Japan's foremost gay indie film-maker almost defies description. The film is divided into six 10-minute chapters (or 'boxes') which, says Oki, add up to an image of 'heaven'.

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20

/1/

N/A

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10

/1/

The establishment of Hiroyuki Ohki's Matsumae-Kun's film is an inversion of the relationship between reality and image, as opposed to a documentary, in which something is happening in reality and the filmmaker goes there to make images of it, or story film, in which the filmmaker goes there to make images of it because there is something most suitable for embodying his or her ideas. It can be said that this is the case. Herein lies the film's acute problematic nature.

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20

/1/

The work of Japanese experimental filmmaker Hiroyuki Oki as been described as "queer ambient film," and this work brings his fascination with dream-like images and manipulation of time through editing to a new level. Yusho-Renaissance follows an artist and his companions on a trip to the forest, while a mysterious but beautiful woman follows; without a structural narrative, their journey becomes a lovely but surreal parade of images, altered through editing, filmed at multiple speeds or modified by video manipulation.

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10

/1/

Oki Hiroyuki's First Film shot at a mountain lodge. "The film was simply a series of landscape shots, without a story." (Oki Hiroyuki).

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10

/1/

Short film by Hiroyuki Oki.

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6.8

/17/

20

/1/

35

/4/

A man named Shiki has been sent to a company in Matsuyama. Since Shiki was famous as a baseball club member at a previous company, there is a story about baseball clubs in the company. Ken, who was a player in high school, participated without being reluctant, supported by his lover Michiko.

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7.1

/23/

80

/3/

45

/2/

A film like an Impressionist painting; the kind of paintings to have titles like 'urban view from the artist's studio'. The film is largely set in the film-maker's home and the street in the provincial town of Aichi where he lives. Minor everyday incidents are observed poetically; the melancholy mood of the images is boosted by serene electronic music. There is no dialogue; the sound track only comprises streets sounds as well as the music. Loose, almost nonchalant impressions of the street or of cloudy skies are juxtaposed with posed, almost photographic mildly homo-erotic portraits of friends of the film-maker. Tarch Trip is made up of fragments of a cinematographic diary, which are however not edited chronologically. Two periods alternate. One is characterized rain and dark cloudy skies. The other is sunny and repeatedly accompanied by three friends

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10

/1/

Chronicles ten days spent at a seaside town; five of them with a visiting boyfriend, and five more after the boyfriend's departure.

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10

/1/

The film was made in a period of three weeks in the summer of 1989. It starts in a youth hostel somewhere in the mountains where Oki has a temporary job and continues in the outer suburbs of Osaka. A short silent film that Oki made in 1988 is included as a flashback in the film.

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10

/1/

20

/1/

This film consists of several portraits of boys, sometimes alone - in an interior, in front of a window, other times in a group, three dancers on a roof - or even as a couple, kissing, hugging. These scenes are intertwined with each other, supporting a waking dream whose desire is the driving force.

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6.7

/19/

36

/3/

50

/1/

Oki fuses documentary elements with narrative filmmaking to such a point that it's difficult to distinguish one from the other. The film is both the story of two men falling in love with each other on a beach, and a faithful document to the filmmaking process. In the film within a film titled "Gay Couple Trying to Connect on the Beach", the documentary footage of director Hiroyuki Oki will be double and triple transcribed. The documentary film explores the relationship between the director and the world, as well as interviews with friends. Soon the director realizes that "kokoro" is not what is inside of him, but the feeling that arises when confronted with something.

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6.4

/46/

15

/4/

10

/3/

A conceptual pinku film by renowned experimental artist Hiroyuki Oki, which is conceived of 60 shots which all are 60 seconds long and represent an absurdist take on the narrative and stylistic schemes of erotic cinema.

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46

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5.9

/141/

50

/9/

30

/9/

A tense love triangle unfolds as You struggles with his affair, questioning his identity and desires while caught between two men who change his life forever.

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Set in Tokyo, Shikoku, Korea, and Tibet, the film uses images of people, landscapes, and even the artist's own relationships as material. While questioning the nature of sexuality, the film traverses the boundaries between fiction and documentary. Various human patterns emerge like a "mandala" from the endless "everyday" captured by Oki's camera.

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8mm early film directed by Hiroyuki Oki.

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N/A

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Short film shot on 8mm

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Hiroyuki Oki continues to develop his technical sophistication and his openness to new forms and themes, culminating in a sensuality that is apparent in this Super 8mm work, one of his latest two films along with Landscape Catching.

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Hiroyuki Oki continues to develop his technical sophistication and his openness to new forms and themes, culminating in a sensuality that is apparent in this, one of his latest two films.

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8mm short shot in Kochi Prefecture by Hiroyuki Oki.

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A documentary on the Associations of Silverpencils screening hosted in Higashimurayama. The Film features 8mm films and interviews.

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This work by Hiroyuki Oki was originally conceived as an installation with four beamers projecting different video fragments in a particular order. Here, rhythmical multiscreen editing and poetic voiceover create a multidimensional elegiac space riddled with people, snow-covered city streets, and written notes.

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