mdblist.com logo The Best John Cohen Directed Movies


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poster
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10
/1/

Visions of Mary Frank (2014)
Window in to the vision of Mark Frank's artistic work.
poster
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10
/1/

Gypsies Sing Long Ballads (1982)
Scotland’s Gypsies have lived outside mainstream society for more than 500 years. Although some of the “Travelling People” still live by the sides of roads, most live today in houses and are under pressure to abandon their culture. This film celebrates their traditional music, especially the long unaccompanied British ballads that date back hundreds of years and have been handed down by memory through the generations.
poster
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10
/1/

Dancing with the Incas (1992)
Documentary about the most popular music of the Andes -- Huayno music -- and explores the lives of three Huayno musicians in a contemporary Peru torn between the military and the Shining Path guerrillas.
poster
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10
/1/

Fifty Miles from Times Square (1981)
A colorful portrait of life in Putnam County, New York, with its "old-time fiddlers, farmers, commuters, and hippies," where an earlier, more traditional, relaxed style of life continues. This now-classic documentary will generate discussion in a range of classes in American studies, cultural anthropology, sociology, and popular culture. It was produced by renowned filmmaker and musician John Cohen.
poster
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10
/1/

Choqela: Only Interpretation (1987)
This provocative and profound film documents the Choqela ceremony, an agricultural ritual and song of the Aymara Indians of Peru. By offering several different translations of the proceedings, the film acknowledges the problems of interpretation as an inherent dilemma of anthropology.
poster
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45
/2/

Carnival in Q'eros (1991)
This groundbreaking documentary shows the remarkable Carnival celebrations — never before seen by outsiders — of a remote community of Indians high in the Peruvian Andes. Their culture offers important clues into the Inca past and the roots of Andean cultures.
poster
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7.4
/18/
10
/1/
100
/1/

The End of an Old Song (1969)
John Cohen, founding member of the ‘50s folk troupe the New Lost City Ramblers, started making films in order to bring together the two disciplines he was heavily active in: music and photography. The End of an Old Song brings us to North Carolina, and demonstrates the power of old English ballads sung with gusto while soused in a saloon.
poster
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10
/1/

Mountain Music of Peru (1984)
A portrait of the folk music, culture and lifestyle of the people of Qeros, high in the Peruvian mountains.
poster
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7.3
/9/
20
/1/

Q'eros: The Shape of Survival (1979)
Exploration of the way of life of the Q’eros Indians of Peru, who have lived in the Andes for more than 3,000 years.
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7.6
/35/
45
/2/
67
/3/

The High Lonesome Sound (1963)
The poignant songs of church-goers, miners, and farmers of Hazard in eastern Kentucky express the joys and sorrows of life among the rural poor. John Cohen of the old-time string band the New Lost City Ramblers evocatively illustrates how music and religion help Appalachians maintain their dignity and traditions in the face of change and hardship. Featuring the noted banjo picker Roscoe Holcomb.
poster
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7.0
/7/
10
/1/
20
/1/

Sara and Maybelle (1981)
A rare filmed performance of the two titular members of the Carter Family.
poster
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10
/1/

Post-Industrial Fiddle (1982)
Explores the importance of music-making in the life of a pulp mill worker in rural Maine.
poster
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Musical Holdouts (1976)
An expansive survey of American musical subcultures that steadfastly refuse to be blanded by mainstream consciousness.
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Roscoe Holcomb from Daisy, Kentucky (2010)
Roscoe Holcomb was one of America’s greatest banjo players, a musician whose haunting vocal intonations, Old Regular Baptist in tradition, gave Bob Dylan and Eric Clapton the chills and gave John Cohen’s 1963 film High Lonesome Sound its name. Drawing on footage he shot in 1962 and 1974 in Daisy, Kentucky, Cohen made this incredibly moving portrait of Holcomb, for whom the holy spirit always rose up plain and true: “Sometimes, you know, you feel like playing certain songs. I feel like playing the old banjo, I feel like playing some religious songs. I sit down, I feel lonesome. I could play you some of these old religious songs and it just fits me plumb through. Or I could pick up the guitar—the guitar is mostly for the blues. It’s just according to what a man feels, what he’s got on his mind.” His body ravaged by a life in the coal mines and sawmills, Roscoe Holcomb died in 1981 at the age of 68. — Museum of Modern Art


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