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The Best Sérgio Santeiro Directed Movies

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It accompanies the manufacture of soluble coffee.

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10

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Prestes on May 1, 1987 at an event held by CUT in São Paulo.

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4.9

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Set of carioca sketches.

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20

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Criticism of renowned filmmakers to the boycott of the 1976 Law that regulated the exhibition of short films in commercial movie theaters in Brazil. The success of the result of this Law fostered the production of films in this category that were very well received by the public. Olho no Olho is a denunciation of the colonialist power that strangles the national audiovisual media and aims to reformat the world in its image.

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10

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It is the magazine that continues the Modern Art Week of 22.

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10

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Parable about the 1964 military coup in Brazil, where three characters unite through the exercise of the word.

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10

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"Life and work of the Maranhense poet Sousândrade (1833-1902), illustrated with engravings on Brazilian history, from the discovery to the proclamation of the Republic."

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The charming soul of the streets.

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Musical documentary about Alfredinho's Bip Bip, featuring Cristina Buarque and Elton Medeiros.

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What happens when two friends meet.

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Paratodos, speech to the University Council of the Fluminense Federal University in May 2007 against the privatization of Unitevê - university channel of Niterói and the dismantling of the University's audiovisual by the Rectory.

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Documentary about UFF on the occasion of the 15th anniversary of its foundation.

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Documentary about the painter Ismael Nery, which intersperses daily street scenes with paintings by the artist, under the narration of his 1931 Post-Essencialista poem.

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"A view of São Paulo's rural architecture, from the remains of a sugar mill from the 1500s to a farm at the height of the coffee cycle in 1822. Documentary illustrating Morada Paulista, book by Luis Saia". (ACPJ/CCM)

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A short film that summarizes, in three acts, a portrait of Brazil: the constitution, the presidency, and capital – This is Brazil. The contradictions of a country divided between dictatorship and democracy are the focus of the production, which uses fiction to portray Brazil in the early 1980s. Divided into three acts, the short film analyzes the importance of the Brazilian Constitution, the power of capital, and the role of the poet in ambiguous times.

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