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The Best Jonathan Perel Directed Movies

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poster

64

11

6.3

/134/

67

/4/

60

/10/

3.4

/595/

Images of Argentinian companies and factories in the first light of day, seen from the inside of a car, while the director reads out documents in voiceover that reveals the collusion of the same concerns in the military dictatorship’s terror.

poster

?

5.4

/9/

50

/1/

Seventeen tripod-bound shots of fixed length observe the diverse and disparate settings in which 17 monuments, each bearing the words 'Memory', 'Truth' and 'Justice', were built by law to mark locations used as detention and torture centres during Argentina's military dictatorship between 1976 and 1983.

poster

?

5.0

/10/

In and around the Escuela de Mecánica de la Armada (ESMA), the Navy Mechanics School, a former clandestine centre for detention, torture and extermination in Buenos Aires from 1976 to 1983.

poster

?

6.5

/24/

50

/1/

60

/4/

From toponymy, a branch of linguistics, to politics, the links can be quite unexpected. These are which are sought to be revealed in the new fi lm by Jonathan Perel who uses his filmwork as a tool to explore and accurately document the marks left by previous dictators of Argentina. We are in the province of Tucuman, in the north of Argentina, an emblematic region where the fi rst Act of Independence in South America was signed in 1816 and where the “Operation Independence” took place in 1974, during which the guerillas’ insurgence was violently repressed.

poster

?

6.6

/28/

10

/2/

20

/1/

In Camouflage, writer Félix Bruzzone embodies a runner who has an obsession with Campo de Mayo, the biggest military unit in Argentina. It is also the place where his mother disappeared in 1976 and the main clandestine center of detention, torture and extermination during the last dictatorship. The film will follow Félix as he finds characters that allow him to enter and explore this place so loaded with history.

?

7.0

/6/

50

/1/

The attempt to accompany the creative process (with the inevitable difficulties and silences) of five women-dancers-choreographers, in their experience of creating a work of dance theater.

poster

?

Graffiti in the former clandestine centres for detention, torture and extermination, El Olimpo and Automotores Orletti, in Buenos Aires, Argentina.

?

N/A

poster

?

Architectural plans, graphics of abstract forms that gradually become recognizable images, photographs of facades, descriptive texts. Perel returns to the site where the Clandestine Detention, Torture, and Extermination Center (ESMA) once operated, but this time his approach is different. Not only because he enters from a different physical location than the one that represents his entry into the social imaginary, but also because his approach aims to contemplate, no longer the construction of a new place, but the destruction of space. This annihilation, Perel seems to be telling us, brings down much more than columns, cement, and metal beams.

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