mdblist.com logo The Best Ivan Ladislav Galeta Directed Movies


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poster
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10
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20
/1/

Rhytmical Lines (1986)
A short experimental film dedicated to Polish artist Wacław Szpakowski (1883–1973).
poster
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7.3
/8/
10
/1/
40
/1/

Wal(l)zen (1989)
A piano player is able to perform a Chopin piece backwards and Galeta will film it backwards and forwards creating four different variations of a movement bound to time.
poster
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7.3
/13/
10
/1/
50
/1/

Piramides 1972-1984 (1984)
Ivan Ladislav hides a true chamber of wonders behind the clear, mathematically abstract structure of his films and videos, meticulously compiled rhythmically frame for frame, each work likewise presenting an analysis of the film medium. Concealed therein, culled from deep in the medium’s prehistory, are hermetic parallel universes in whose number ranges and symbolic spaces, Galeta’s precisely constructed film compositions find a formalist anchor.
poster
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6.7
/17/
70
/1/
70
/1/

TV-Ping-Pong (1978)
An early video work by Ivan Ladislav Galeta that underlines the perceptual presumptions of video-media.
poster
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50
/1/

Media Game I (1979)
"A one-minute split-screen goof" from Yugoslavian artist Ivan Ladislav Galeta.
poster
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7.0
/11/
10
/1/
57
/3/

Sfaira 1985 -1895 (1984)
A short experimental film; "An hommage to silent movies".
poster
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6.7
/11/
35
/2/
50
/1/

Two Times in One Space (1985)
One film projected two times with a difference of a couple of seconds.
poster
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20
/1/

End Art No. 1 (2000)
A video that uses Finnegans Wake as a structuring device to create a portrait of the farm Galeta retreated to in his final decade, where he focused on making the study of permaculture his ultimate 'artistic landscape'.
poster
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6.8
/31/
10
/1/
60
/1/

Water pulu 1869 · 1896 (1988)
Playing with the recording of a water polo match, Galeta creates a kind of Copernicus twist in the structure and perception of this sports game. The ball still motivates the movements of players, but it is no more a dynamic element, but the fixed center of the image.
poster
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10
/1/

Metanoia (1969)
Ivan Ladislav Galeta's first experimental film displays a narrative structure and a philosophic/mystical idea – we begin nowhere and we end in nothing, at the starting point. From a hidden position, the camera follows a man in a black coat who approaches passers-by asking directions without taking his hands out of his pockets. The passers lift their hands and point their fingers at the direction he uses to continue his way.
poster
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Forwards–Backwards: Piano (1977)
A delightful experiment in sound, using classical music. Galeta iconoclastically subverts the romantic score of a Chopin waltz by manipulating three out of four performances by pianist Fred Dosek.


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