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The Best Maximilian Le Cain Directed Movies

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52

/4/

Experimental feature.

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70

/1/

Weird Weird Movie Kids Do Not Watch The Movie is the second collaborative feature film between Rouzbeh Rashidi and Maximilian Le Cain. This hypnotic, visually and sonically immersive exploration of a haunted space unfolds in two parts. In the first, a woman (Eadaoin O’Donoghue) dissolves her identity into the ghostly resonances she finds in the rooms and corridors of a sprawling, atmospheric seaside basement property. In the second, a man (Rashidi), existing in a parallel dimension of the same space, pursues a bizarre and perverse amorous obsession.

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10

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Hovering in the sensuous haze where flesh and dream become one, it wordlessly explores the shared inner life of two people whose devotion to one another expresses itself in forms that still challenge convention.

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45

/2/

"Personal Growth" is a Super-8 film work, an enigmatic, fragmented piece that could have been filmed at any point in the past sixty years. It conveys the haunting charge of a privately made home movie of great significance to its creators but unsettlingly mysterious to viewers. Its grainy, black and white texture vividly renders the elemental coastal seascapes where it was filmed. Langan & Le Cain appear as a couple who inhabit this wild terrain as if it were a domestic arena.

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A phantasmagoric mélange of live performances and elements of gothic horror, resulting in a haunting, intense and sometimes humorous record of Langan's earlier performance persona.

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The water level is rising. Emotions are detaching from both the past and future, and floating to the surface. Sink or glide through the new depths - things will never be the same again.

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A short experimental film.

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Solitaire is an unsettling experimental ghost story that explores family, home and identity as unfixed parasitic entities that propagate themselves through bodies and buildings.

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Self Decapitation is a Janus-headed self-portrait by Rouzbeh Rashidi and Maximilian Le Cain in which death and desire each take possession of this film in two parts. The ambiguities of inhabiting a human body are conjured by way of film technology in its faults, faulty memories and false promises. There is no escape from its haunting – except perhaps to haunt it in turn…

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“Persistencies of Sadness & Still Days”, is a four hour feature film by Maximilian Le Cain and Rouzbeh Rashidi. Structured in two sections or ‘takes’ of two hours each, this dream-like, experimental project offers two complementary explorations of cinematic form that skirt around possible narratives, ducking through a series of fluctuating audio-visual categories and intensities.

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Three witnesses to the invasion. Three accounts. Are they observing the same thing? Were there any warning signs? And, after all they’ve seen and heard, are they even competent to offer a reliable report? The purpose of this film is to demonstrate that an eﬀort to construct functions known not to exist may on occasion produce interesting frauds.

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N/A

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Part of Maximilian Le Cain: Underground Orphans (2022).

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One of only two surviving works by Humphrey Esterhase (1931-2012). Over fifty years ago, Esterhase’s entire filmography of seven underground movies was destroyed while he was travelling in South America. His luggage, containing the only copies of these works, was thrown overboard during a mutiny on a boat he had booked passage on. The incident ended with the mutineers being summarily executed and the reclusive Esterhase gave up making films. All he left behind were these two abortive attempts to begin again late in life.

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Part of Maximilian Le Cain: Underground Orphans (2022).

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..at large under the sun... is a new short film, a lyrical post-apocalyptic diary movie for 2020 imbued with an irrepressible chthonic joyfulness that erupts from broken stone and broken birds. The soundtrack boasts an atmospheric sonic contribution by Declan Synnott.

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Light / Sound chronicles a ghostly, sonic encounter between performer / sound artist Vicky Langan, out hunting for sound with her recording apparatus, and an ancient 35mm projector.

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