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The Best Miguel Antunes Ramos Directed Movies

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poster

?

7.2

/11/

32

/2/

The city and its parking lots.

poster

?

6.3

/6/

50

/1/

"Yesterday, by the afternoon, I went to see if our theater was still there. And it was".

poster

?

6.9

/10/

65

/2/

Brian walks through his childhood neighborhood, looking for new areas to explore. Romeo, from his windowed office, designs a new marketing strategy. Carla plans new investiments watching the city from above. A table game. A future image. A city project.

poster

?

With the rise of Neo-Pentecostalism in Brazil over the past decade, a popular phenomenon has emerged, taking over church pulpits and smartphone screens: religious preaching by children. Immersing himself in the family lives and faith of two young pastors from different generations, Antunes Ramos (director of “A Flecha e a Farda”, Olhar ’20) unveils the childhoods and youth behind their public personas, while offering glimpses into a country where politics and religion often intertwine.

?

Young engineer, Cristóvão meet Joana, a image technician. Together, they walk through their spaces, trying to share experiences and testing limits. But despair round, silent.

poster

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A myth. A hero. A role model.

?

In contemporary Brazil, a theater group tries to stage the story of Cassandra and Agamemnon. Cassandra, prophetess of Apollo, sees everything and speaks nothing. This is the story of what they saw and what they didn't see. A film about the power of seeing and the risk of being seen. About what we didn't see in the disaster that engulfs us all.

poster

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Heavily guarded, a luxurious castle lies on the bank of the Pinheiros River, in São Paulo.

poster

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Fifty years after it was recorded, the footage of the graduation of the first and only class of the Indigenous Rural Guard reappears. In 1970, eighty indigenous marched, in uniform, in the courtyard of a police station, to the leadership of the military dictatorship. Fifty years later, the film seeks out these guards - their bodies, their stories, their memories. Fractures, silences, what remains and what is lost in violent Brazilian history.

poster

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N/A

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