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The Best Alfredo Leonardi Directed Movies

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Documentary about life in Italian working class neighborhoods.

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10

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10

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A video made for RAI by Videobase in 1972

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10

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Leonardi's first documentary Indulgenza Plenaria explicitly exposed, and implicitly criticized, a prevailing culture of oppressive policing and censorship, a widespread state authoritarianism in Italian society in the sixties.

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A film by Alfredo Leonardi

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10

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Images of the life of the Living, the material that composes it was originally shot for the film: "The Unconscious Rebels". The shots were re-edited following the rehearsals of Mysteries and Antigone.

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10

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A compilation film of war newsreels and documentary material from historic, sociological and industrial films.

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During the 1968 Pesaro Festival, animated by the intervention of the students, riots occurred caused by fascist provocations and the usual police brutality. Following clashes culminating in the arrest of several Festival participants, there was a general assembly of those present in Pesaro, whose firm attitude led to the release of those arrested. The film is a chronicle of that meeting (It is the second of the cycle Seeing is a way of thinking).

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The film documents the wave of house occupations in Rome at the end of the 60s: the working-class residents of the borgate, left-wing priest Don Lutte, the tenants’ committee, who were in the orbit of the Communist Party, and the Comitato di Agitazione Borgate […].

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On the occasion of the regional elections of 1970, the Italian Communist Party seizes a new model of propaganda and counter-information developed in France during May 68: the cine-tract.

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10

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Documentary on the fight for housing in the 70s in Magliana, a popular neighborhood of Rome.

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10

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A film by Alfredo Leonardi.

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10

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16mm collective manifesto by the members of C.C.I.

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The title Amore amore ( Love Love) defines the primary emotive motor of the film and constitutes the filter through which are selected the materials used - people, things, signs - and determines a good portion of the associations though which the sequences unwind.

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Leonardi's film about the Living Theatre is less concerned with a straight documentary presentation of the exile theatre group from New York, but rather is concerned with the specific atmospheric factor which is indicated by their name, and which constitutes the highly suggestive effect of their playing. Cutting, for Leonardi, is the most decisive aesthetic device. The result is a wonderfully composed furioso of pictures. The hand-held camera catches rehearsals, conversations without sound, bits of theatre and daily life actions (which, for Living Theatre people, is very often intermixed).

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A piece of reality, a roman square, observed in a way to achieve a more intense self-perception. –A. L.

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10

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The faces of beauty are infinite, if you only want to look at them, and the ones of infancy are the most divine. –A. L.

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Work and life of Musica Elettronica Viva, group of live electronic music, mainly composed by American musicians, active in Rome, Italy. –A. L.

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10

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A (temporary) leave of many friends who are my truest world, with the attempt of getting them together in an ideal summary conceived to support me during my being far away. –A. L.

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10

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In this film, as in all my previous ones, there is a direct connection between inner urges and cinematic rendering. I tried to visualize my present aspiration to recover, through the various ways taught by one’s experience, the easiness, directness and ripeness proper to children’s relationships and affective life. This film is maybe a track of this path backwards. – A. L.

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The struggles of the workers at Montedison in Porto Marghera, following an accident that resulted in the deaths of three people.

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Stories of Italian emigrants in Berlin declined without an ethic of sacrifice and goodism but through a sense of the ferocity necessary to wrest survival from the miserable life that capitalism has offered and continues to impose on us.

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