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The Best Qais Al-Zubaidi Directed Movies

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poster

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10

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N/A

poster

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10

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60

/1/

A film documenting Al-Sabineh camp for Palestinian refugees in Syria, with an unprecedented experience at the time, as he took the children after filming to show them the footage he filmed of them, the camp and its people, and recorded their reactions, laughter and speech, and added them to the film.

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10

/1/

Directed by Qais Al-Zubaidi.

poster

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6.6

/38/

80

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60

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The Yazerli is the foreman who provides work to day laborers. The film’s poetic, non-narrative structure simulates the fractured thoughts of a young boy who is forced to leave school and find work on the docks. Using minimal dialogue but evocative music and sounds, separate vignettes introduce characters the boy encounters in a single workday. The filmmaker explores the child’s vivid imaginary world while tangibly conveying the physical harshness and repressed sexuality of a life spent in poverty and manual labor. Based on a novella by Hanna Mina.

poster

58

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7.6

/14/

10

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70

/1/

3.7

/291/

An oneiric film poem about a murder in occupied Palestine, in which Qais Al-Zubaidi used drawing, poetry, music, phonograph and pantomime with his technical virtuosity and formal expressionism. Featuring poetry from Mahmoud Darwish, Samih al-Qasim, and Tawfiq Ziad.

poster

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10

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Directors belonging to the PLO film organisations were barred from entering territories under Israeli administration. Kais Al-Zubaidi sent a West-German film team into the territories occupied in 1967. They talked to Palestinian peasants and refugees and to Israeli settlers. The former have lost their fields and meadows and are to be driven further East from the camps in which they lived since 1948. The latter call their new settlement area “liberated land”.

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Directed by Qais Al-Zubaidi.

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al-Zubaidi uses GDR material to tell a rather linear story of Palestine, deploying the archive for illustration and evidence.

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The film depicts the many Lebanese and Palestinian Resistance acts carried out by different factions against the Israeli occupation in Lebanon.

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Using film footage from various sources, Kaiss al-Zubaidi creates a description of the everyday lives of Palestinians in the occupied West Bank. Through skilful montage, the constant latency of conflict and violence becomes a relationship between the images. Counter-Siege was awarded one of seven ‘Main Prizes’ by the international jury at the 1979 Oberhausen Short Film Festival.

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