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The Best Nobuhiro Kawanaka Directed Movies

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A compilation of Kawanaka's representative "Shishōsetsu" series. "The title of my film series, 'I-novel,' is easily misunderstood. The 'I-novel' is a traditional Japanese literary form in which the filmmaker depicts his or her life as if poking around in a box. That's why I didn't shoot it like a regular documentary film. I'm filming everyday life, but it's fictionalized into a scene I've never seen before." -Nobuhiro Kawanaka

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Photographs of a nude, arranged into stop-motion sequences on the left half of the screen, are juxtaposed with a close-up of the film itself passing in front of a viewer, gradually revealed on the right half of the screen.

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Writes Kawanaka, "Video is a medium of image as well as sound. Walking on a gravel road with a camera, the crunch sound is captured in real time. Such [an] observation seems obvious, but as a filmmaker, the ability to record sound in real time was very new to me. Referencing a can-kicking game I played as a child, I followed the rolling can and recorded the resonant sounds of the can hitting the ground."

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Short film about the personal life of Nobuhiro Kawanaka.

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Digital film by Japanese director Nobuhiro Kawanaka presented at the Image Forum Festival.

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Digital film by Japanese director Nobuhiro Kawanaka presented at the Image Forum Festival.

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In recent years, my older colleagues and friends have begun to pass away one after another. I wonder if I'm reaching that age myself, and I feel like time is chasing me. I had a brush with death when I was diagnosed with stomach cancer in 2005, and I was able to enjoy that situation with more objectivity and acceptance than I thought. In 2011, I had major surgery and lost my vocal cords. Since then, I've had surgery almost every year, and this life on the edge is my "landscape." (Nobuhiro Kawanaka)

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The work by Nobuhiro Kawanaka, who consistently produces film works from a personal aspect, focuses on Naito Chin (comedian, book reviewer), who had passed away in 2011. With the enormous footage Kawanaka has taken, the time he and Naito had spent together will be revived on screen.

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Video short by Japanese filmmaker Nobuhiro Kawanaka, premiered at the Image Forum Festival in 2012.

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Since she was a little girl, Nagisa Yoko had two dreams: one was to have a song written for her by Aku Yu; the other was to sing at the Shinjuku Koma Theater. Aku Yu had already had written an original song for her. When Nagisa heard that the Shinjuku Koma Theater was to close down, she decided that she would have to rent the hall herself, in order to realize her dream. The concert was a great success, aided by many of her friends, including Wakamatsu Koji, Yamaya Hatsuo, Naito Chin, and Mikami Kan, who grew up in Shinjuku. Director Kawanaka Nobuhiro has fond memories from decades ago, when he was delivering milk and had a chance to talk with the Shinkokugeki actor Ogata Ken in the Shinjuku Koma Theater dressing room. He returns to that room in this film.

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The newest work in a series of works employing 16mm film to exchange correspondence between the two filmmakers Nobuhiro Kawanaka and Sakumi Hagiwara. The principal theme of the series, begun in 1979, was "the landscape of memory", and the theme of this film is "travel". The thoughts of the two filmmakers intersect as Nobuhiro Kawanaka presents a return to the past through "time travel" and Sakumi Hagiwara uses a narrative method to portray "the destination of travel". (Kurzfilmtage - International Short Film Festival Oberhausen)

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Lately, I cannot help thinking; “What if the gods created life and death by mistake?” I find it odd that as I age, my body withers. If, as I slip into old age, my heart becomes young, then it would be appropriate if my body could follow suit. Wouldn’t it be nice if humans were born elderly, and in reverse, died of old age in an infant’s body?. (Hagiwara Sakumi)

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Film shot on 16mm by Japanese filmmaker Nobuhiro Kawanaka in the late 1990s.

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As demonstrated by the film's title, Kawanaka has been exploring the theme of “Shishōsetsu” (“realized” fiction) for some time. For the author, there is a personal tension which develops between the self which experiences life, and the self which attempts to record images filtered through time and imagination. (Karen Keane)

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Short film that is part of a series of 6 films that Nobuhiro Kawanaka made between 1987 and 1992.

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A pictorial diary featuring images taken at the Old Blue Hotel in Berkeley.

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“I am deeply involved in human memory and the feeling of nostalgia brought about by time. For this piece, my challenge was to observe time within the frame.” (Nobuhiro Kawanaka)

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This formal study is based on a series of postcards of pre-war Tokyo. The artist fuses these images of the past with the same scenes that appear today in an evocative and lyrical way.

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The seminal image of the continuous motion of a woman skipping. While Edward Muybridge worked to accurately record human movements, this film, shot in 16mm and made 100 years later, sparks interest in how it disrupts the order of continuous movement.

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A nostalgic work, which attempts to reconstruct the materials of postwar 35 mm newsreel footage given by the filmmakers’ friend and old tinted picture postcards. He frankly describes in his own coherent style of filmmaking how he was moved when he saw these films and photographs for the first time. An attempt to rediscover fresh and new images in the past products.

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