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The Best Ian Wiblin Directed Movies

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Elegy is a film about and in memory of a cat. It depicts her nocturnal space as imagined by us. It occurs partly in our ‘garden’, a dank and decaying back yard full of weeds and wildlife, a place that belonged more to her than to us. Various creatures join in the process of mourning, on and off screen.

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Based on documents found in Berlin archives, Four Parts of a Folding Screen explores exclusion, statelessness and the legalised theft and sale of everyday family possessions by the National Socialist regime. A voice, enigmatic and sometimes uncertain, foretells of, relates and recalls the routine processes of injustice and their legacy: the creation of a diaspora of household objects, scattered amongst buildings that no longer exist. As the camera probes the secrets of ordinary spaces, streets and buildings around the city of Berlin, semblances of a person and a history begin to emerge and coalesce.

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A pioneer in sound recording, Ludwig Koch was suspected by the Nazis of complicity in the Reichstag fire. After taking refuge in England, he specialized in recording birdsong. Blending contemporary imagery with his sound archives, the film retraces his journey.

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An essay film occupying the ground between narrative, documentary and experimental film-making. It is a work of fragmented histories: of the catastrophes of empire, war, terror and resistance of our times. Its unseen narrator 'encounters' the inhabitants of an undisclosed port city in old Europe as they stroll along a jetty in the melancholy fading light of evening. These meetings are with terrorists, philosophers, writers, photographers, shopkeepers whose subjective accounts and conjecture create a rupture within twentieth century history and beyond.

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Face of an Angel is inspired by Puccini’s opera La Fanciulla del West, set during the Californian gold rush. The film is shot is the scarred black landscape of an open cast mine in South Wales, one of the original coal mining areas which fuelled the industrial revolution in Britain. Taking the theme of redemption, the film depicts choreographed yellow dumper trucks, portraits of miners and an escape to another life using the painterly surface of low format video. Fragments of music from the opera are woven into an industrial sound track.

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Based in part on the memories, unsent letters and notebooks of a young photographer who lived in Berlin-Tempelhof. Aspects of her life are mapped out within this small area of Berlin through a succession of haunted images and sounds that imbue place with a sense of memory and history.

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