mdblist.com logo The Best Arthur Tuoto Directed Movies


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poster
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5.4
/11/
56
/3/
50
/3/

Don’t Talk To Me About New Beginnings (2016)
Audiovisual notes on the individual and the state. The film utilizes various forms of found material to create an association between verbal and audiovisual quotes which explores historical concepts of cinema, art and politics.
poster
55
?
4.8
/13/
3.1
/344/

The Whispers that Killed Me (2024)
Ingrid Savoy, a Brazilian celebrity set to take part in a reality show, spends her days confined to a hotel room. Amid premonitory visions, a paparazzi invasion, and anarchist terrorist attacks bursting across the city, the artist lives the constant imminence of a scandal.
poster
?
4.8
/17/
43
/3/

The Carnivore (2016)
After being found by extraterrestrial beings, a survivor of a mysterious incident that decimated part of the human race tries to make sense of the events that led Earth to its tragic fate. Composed entirely of public domain found footage material, the film is an adaptation of the science fiction short story “The Carnivore”, by Katherine MacLean.
poster
?
5.2
/9/
50
/3/

What We Make of Our Misfortunes (2014)
From a found footage material, the film tells the fable of the Monsters, describing the human condition from a tragic and desolate point of view.
poster
?
70
/1/

In September (2010)
Experimental film shot on 8mm.
poster
?
70
/1/

3xDIELMAN (2012)
Three shots from the movie "Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles" (1975), by Chantal Akerman, are placed side by side through a cyclic re-editing, revealing a trapped character in a panel of absent spaces.
poster
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30
/1/

Landscape Memory #1 (2009)
Experimental video shot on a cellphone.
poster
?
4.5
/6/
70
/1/

Dead Hands (2012)
A dialogue from the movie "J'entends plus la guitare" (1991), by Philippe Garrel, is the starting point for a reflection on the immateriality of cinema and its mimetic dimension.
poster
?
40
/1/

Act of Love (2012)
Images appropriated from an amateur porn video are reworked through reframing, distortion and other processes.
poster
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10
/1/

Tainah (2008)
Experimental film shot on a cellphone.
poster
?
70
/1/

Self-Portrait (2006)
Experimental video shot on Mini DV
poster
?
30
/1/
50
/1/

Shapeless (2009)
A shadow questions itself about its shapes.
poster
?
5.4
/5/

Je Proclame la Destruction (2015)
Two shots from the movie "Le diable probablement" (1977), by Robert Bresson, are repeated in a loop, creating a cyclic and endless raccord.
poster
72
?
6.6
/9/
70
/1/
85
/4/
3.5
/472/

The Last Portrait (2016)
Pedro is gone and Amanda must deal with his absence.
poster
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Buda (2009)
Experimental film shot by cellphone.
poster
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Francisco (2023)
A collection of instagram stories featuring the director's son, Francisco, and a reflection on salvation.
poster
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Neither the sun nor death can be looked at steadily (2021)
From a selection of films excerpts, the video features isolated characters seeking comfort in an always unattainable ideal.
poster
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Essay for a Surveillance Video (2009)
The film shows images captured through a window at the same time that, in the background, the filmmaker talks to a friend who was hospitalized in a psychiatric hospital.
poster
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Death of an Equal (2013)
Using a dialogue from the film Stalker (1979), by Andrei Tarkovski, as a starting point, the work is a free reflection on music and its primal potentiality.
poster
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Body of Crime (2011)
The image of an unconscious body, recorded through the fimmaker's apartment window, is the starting point for a reflection on the traumatic nature of the image.
poster
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Pathway (2009)
Experimental video shot on Mini DV.
poster
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Transcommunication (2010)
A TV signal reveals an experience of shock and delight.
poster
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The Lindsay Lohan Experience (2014)
Composed of images of the actress Lindsay Lohan being photographed by paparazzi, the work builds a visual experience of flashes, lights and pixels.
poster
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Fronteira (2009)
A bus crosses a border.
poster
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4xELEPHANT (2013)
By placing side by side four sequences from the movie Elephant (2003), by Gus Van Sant, the work explores the simultaneous actions in the film, revealing elliptical nuances in its filmic dispositif.


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