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The Best Phelim McDermott Directed Movies

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The last days of the American icon Walt Disney form a powerful and poignant subject for Philip Glass's latest opera, which was filmed at its first performances in Madrid in January 2013.

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British director Phelim McDermott offers the audience a new take on the culture of the people of Ancient Egypt in Aida, one that allows us also to question the world in which we live. This new perspective entails a number of bold creative choices that do not make use of the traditional staging imagery associated with Aida. Aida’s command to Radames — “Ritorna vincitor!” — comes at a price. The triumphal march of the victorious Egyptians is a procession for the coffins of the heroes fallen in battle, the chorus are their grieving kinsfolk. McDermott’s staging resonates keenly with the images of so many civilian and military funerals that crowd our newsfeeds. Here is a triumphal march that does not seek to hide the true, lethal and disastrous nature of war, whatever side you are on.

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A contemporary take on the 17th-century genre of the pastiche, this delightful Baroque fantasy brings together some of the greatest arias and ensembles by Handel, Vivaldi, Rameau, Purcell, and other composers with a new English libretto by Jeremy Sams, inspired by Shakespeare’s The Tempest and A Midsummer Night’s Dream. The all-star cast is headed by David Daniels as Prospero, Joyce DiDonato as Sycorax, Danielle de Niese as Ariel, Luca Pisaroni as Caliban, and the legendary Plácido Domingo as Neptune. Early music specialist William Christie conducts this dazzling world-premiere production, designed and directed by Phelim McDermott and Julian Crouch.

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