mdblist.com logo The Best Heiward Mak Hei-Yan Directed Movies


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poster
74
31
6.7
/680/
61
/20/
73
/12/
3.4
/951/
100
/8/
75
/3/

Fagara (2019)
After her father died, a Hong Kong girl discovers she has two hitherto unknown sisters, one in Taiwan and one in China. To settle her father's debt, she must reunite with them to run the family's hot pot restaurant.
poster
57
14
5.7
/508/
63
/23/
60
/17/
3.2
/232/
42
/16/

Ex (2010)
Zhou Yi is about to leave on holiday with her boyfriend Woody, until an argument makes Zhou Yi to dump him at the airport. Their breakup is being witnessed by her ex-boyfriend.
poster
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3.6
/7/

We Might As Well Be Strangers (2011)
Four Hong Kong directors portray Hong Kong through their own experiences.
poster
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6.6
/16/
47
/4/
90
/1/

Good Take, Too! (2016)
An omnibus of 4 short stories, each of them occurring in different corners of our society, but all of which encompass the same themes: courage, determination, pursuance and hope.
poster
44
?
5.8
/137/
30
/3/

Diva (2012)
When an accident temporarily robs her of her voice, Diva J flees to a small deserted village to heal both her mental and physical wounds. Her life changes when she meets and falls in love with the blind Hu Ming, who inspires her to make a comeback. But, in her absence, a new diva has risen. R has become an overnight sensation that everyone sees as the main contender for J's crown. Yet, their successes have come at a high price. J is secretly pining for a forbidden love that seems destined to wither, and R has found that the road to stardom is littered with estranged friends and painful break-ups. But in the midst of this, both divas rise to find their own voice.
poster
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80
/1/

Uncertain Relationships Society (2014)
“Ambivalence means… nothing has happened, but you remember everything.” Another coming-of-age story about youngsters who are always desperate for but also afraid of falling in love, director Heiward Mak (High Noon, Ex, Diva) continues to examine the ambivalence of youthful love like an autopsy in this episodic adventure among a group of twenty-something. These characters might be a bunch of losers in love who are searching for self-esteem and recognition, but what make these intertwining tales relevant today are not just the pain and longing, but also the bittersweet memories and emotional growth of Hong Kong’s post-90s generation.
poster
70
?
6.5
/146/
70
/3/
60
/2/
88
/6/

High Noon (2008)
The Hong Kong chapter of Eric Tsang's "Growing-up Trilogy" bears testimony to the saying: "The kindness of the gods is manifested in allowing young people to embark on life unprepared." Heiward Mak, the 23-year-old director whom people in the inner circle repute to be the next shining star of Hong Kong cinema, crafts a string of vignettes about seven young people about to sit for a major public exam. Clever, humorous, angry and dangerous, this is the Cruel Stories of Youth for the Me Generation of this century of globalization and mediocrity
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Quattro Hong Kong (2010)
Four short films by four Hong Kong directors.
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Beside(s), Happiness (2011)
N/A
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Lovers’ Lover (2006)
Heiward Mak’s Graduation Short Film, which won the 12th IFVA Gold Prize.


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