mdblist.com logo The Best Luiz Pretti Directed Movies


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poster
57
9
6.4
/98/
43
/3/
56
/13/
3.2
/350/

Road to Ythaca (2010)
“Always keep Ythaca on your mind. To arrive there is your ultimate goal. But do not hurry the voyage at all. It is better to let it last for many years; and to anchor at the island when you are old, rich with all you have gained on the way, not expecting that Ythaca will offer you riches. Ythaca has given you the beautiful voyage. Without her you would have never set out on the road. She has nothing more to give you. And if you find her poor, Ythaca has not deceived you. Wise as you have become, with so much experience, you must already have understood what Ythaca mean.” Konstantínos Kaváfis
poster
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36
/3/
80
/1/

Odete (2012)
Odete is caught between the past and the future. She goes on a journey, but remains immobile. She faces the abyss and wonders if she will make it out alive.
poster
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6.3
/31/
80
/1/
70
/2/

Clenched Fists (2014)
In Fortaleza, Brazil, Eugenio, Joaquim and João use a clandestine radio to scream their hunger for freedom and revolution. They hack the traditional radio stations, overwhelming them with poetry, rebel music, quotes, sound archives and provocations, attacking the bourgeois and capitalistic society. But one day, Salomé, a mysterious and beautiful listener, crashes into their lives, transforming their destiny.
poster
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80
/1/
80
/1/

We Are Not Dreaming (2012)
Yes, we will build a world. We're not dreaming. Despite the struggle, brick by brick, part by part, we will build it. We're not dreaming.
poster
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5.5
/17/

At the Wrong Place (2011)
Four friends are reunited in a night that is moved by a game of lies and truth with unexpected consequences. This movie is based on the theatrical play “Eutro” directed by Rodrigo Fischer.
poster
62
?
6.9
/27/
50
/3/
63
/3/
3.4
/217/

While We Are Here (2019)
“While we are here” mixes fiction, travelogue, film diary and documentary to tell the story Lamis, a Lebanese woman who just moved to New York and Wilson, a Brazilian man living illegally for 10 years in the same city. The film narrates the story of their relationship in a personal way by articulating macro-political issues with intimate ones.
poster
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6.0
/11/
40
/1/
30
/3/

The Last Breath (2016)
The living call for revenge. The dead minerals and vegetables demand revenge. It is the hour of general protest. It's time for the destroying flights. It's time for the barricades, the shootings. Famines, desires, cravings, lost dreams, miseries of all countries, unite.
poster
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6.9
/60/
50
/2/
58
/6/

The Monsters (2011)
No man is a failure when he has friends.
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Limites do Diáfano (2024)
A compilation of some of the Super-8 materials shot by Jorge Bodanzky during the Brazilian military dictatorship, blending domestic footage, experiments with the cinematographic medium, and the traces, in an amateur format, of some of his thematic and stylistic obsessions.
poster
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Ògún Lákáayé (2023)
Ogun, the one who has influence over the world, the prince among the other Orixás. He who, despite having water, prefers to bathe in blood. The one who, despite having clothes, prefers to wear a swimsuit. The one who opened the way for the other Orixás when they came from Orun to Ayé. Iron symbolizes the manifestation of your strength, skills and power. He is the force that plows the land, the impulse for war, for copulation, for the opening of paths. The energy of focus and work that gives shape to our tools.
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Longa Vida Ao Cinema Cearense (2008)
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Estética da Solidão (2001)
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Lava (2022)
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Corre de Marmita (2021)
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Os Que se Vão (2018)
A man caught in the verge of freedom. He penetrates a city where the boundaries between reality and dream disappear. He crosses the landscape without belonging to it anymore. A farewell before departing.
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The Harbor (2014)
Valongo's quay - Empress quay - Rio de Janeiro port - Porto Maravilha (wonder port): layers of a city haunted by progress. One port on top of the other.
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O Mundo é Belo (2010)
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Às Vezes É Mais Importante Lavar A Pia Do Que A Louça Ou Simplesmente Sabiaguaba (2006)
I am a breather.


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