mdblist.com logo The Best Pablo Iraburu Directed Movies


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8.3
/8/

Oskara (2016)
If you want to know who you are, dance. Oskara traces Basque culture, its myths, from its origins to the present, through the "dantza".
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7.7
/57/
80
/2/
80
/1/

Walls (2015)
The world is increasingly divided by walls. There are human beings on either side of them. Brilliant editing connects people living and working on different sides of decisive walls between Mexico/U.S., Spain/Morocco, Israel/Palestine and South Africa/Zimbabwe.
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78
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7.4
/194/
81
/10/
79
/7/

Pura Vida (The Ridge) (2012)
On the south face of Annapurna, at 7,400 metres, Iñaki Ochoa de Olza is dying. His rope companion sounds the alarm. And, from the other side of the world, the biggest rescue attempt in the history of the Himalayas gets underway. For four days a dozen men including some of the best mountaineers in the world, from ten countries, set out to try to rescue their stricken comrade. Even beyond his peaks Iñaki is an exceptional man. As exceptional as the rescue attempt itself and the men who risked their lives to save him. Exceptional because their one driving rule is to live. To live in the only way possible: with pure intensity and honesty.
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7.8
/7/

Seven Days with Alberto Corazón (2015)
The privileged mind and skillful hand of graphic designer and multidisciplinary artist Alberto Corazón are behind the creation of a multitude of logos, brands, signs and emblematic images that accompany the restless consumers on their tempestuous journeys through the stormy ocean of contemporary Spanish advertising.
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District Zero (2015)
In Zaatari, Jordan – one of the world’s biggest refugee camps – Maamun owns a little shop: a small white container aligned in a seemingly endless row of identical containers. There he repairs mobile phones of the numerous Syrian refugees. They are anxious to retrieve the devices’ content which consists of memories from the past, a time when the war had yet to begin and they were not yet refugees but just ordinary people. Maamun and his friend Karim invent a new way to satisfy their customers: they buy a printer to print the photos, allowing the camp dwellers to retrieve some of their identity. The film provides an insight into the daily goings-on in a refugee camp.
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Bizimina (2020)
Bizimina combines documentary cinema with dance. Through a series of independent pieces, it composes a story around the emotions we find it so difficult to express these days: distance, longing for others, desire, the community spirit, impotence, isolation, confusion, hope. The choreography builds a tale serving to provide comfort and company in this uncertain time.


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