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The Best James Herbert Directed Movies

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poster

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10

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Shot on 16mm, this experimental film by James Herbert portrays a boy, a girl, a car and the ever lasting desire of the flesh.

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10

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Experimental short by James Herbert.

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10

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10

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10

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8.4

/100/

62

/4/

This 50-minute release features promotional videos to the band's four singles from Out of Time ('Losing My Religion', 'Shiny Happy People', 'Near Wild Heaven' and 'Radio Song') in addition to videos to the album tracks 'Low', 'Belong', 'Half A World Away' and 'Country Feedback'; an acoustic performance of 'Losing My Religion' from The Late Show; and a live acoustic performance of 'Love Is All Around' from MTV Unplugged. Also included is 'Endgame', an instrumental track, played over the feature's credits; and several avant-garde clips, ranging from ten seconds to one minute, playing in between each song. This incidental footage was directed by Michael Stipe.

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10

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8.2

/34/

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50

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10

/1/

Apalachee is a beautifully impressionistic study of a couple interacting with the foliage of the forest and the water of the stream. They touch and embrace each other, "neither making love nor not making love."

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10

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A boy, a girl, several horses, a mother, and a nursing baby provide the central focus for a study of movement.

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10

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Promotional film for R.E.M.'s second album, Reckoning, directed by James Herbert.

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10

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10

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4.8

/21/

46

/3/

Abandoned House is about a group of young people in Italy who exchange stories. The protagonist Maria listens to young men and women who report on sexual abuse and warped pleasure and she seems to feel the need to manipulate their vulnerability and rediscover her own lost love. Pictures of Tuscany and the sensual light within which the young naked figures in the film bathe serve to temper the darker aspects of the film with a tangible lyricism. In the end, the scars of abuse give way to the tenderness of the visual language itself.

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4.4

/67/

20

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20

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Director James Herbert and editor Mark Jordan -- both visual artists who work in other media -- crafted this non-narrative look at Carter and Andy, two American artists summering in an unnamed Tuscany city. The young men discuss art and each other as they explore the city and its women, while the camera explores Carter and Andy.

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3.8

/11/

10

/2/

20

/1/

A young man and woman trade stories about their scars - psychological, sexual and otherwise - in a variety of settings. Their relationship is at once immediate and immediately complicated by the depth of their revelations and their nakedness.

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10

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James Herbert's experimental homage to St. Francis of Assisi.

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8.2

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10

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50

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N/A

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10

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10

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60

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6.9

/13/

55

/2/

70

/1/

A cyclical film, without sound, that goes from day to night and back again. First, from the porch glider, daytime movement is seen--children running and bicycles and cars going by. The nighttime scene is a long poetic and dream-like look at adolescent lovemaking.

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“A nine-year-old boy is seen in a dark and sometimes sinister setting with an older boy, perhaps a brother, and a young woman who could be the mother. Bare light directed frontally on the nude bodies like a flash bulb adds a stark directness to the expressionism. In a climactic scene the nude boy lies at the feet of the woman, her swirling red satin dress caressing him in re-photographed dream motion”

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Short film by James Herbert.

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For this film, Herbert photographed the original 16mm material framed by frame with a 35mm camera. On screen, sensuality and sexuality, mythical and profane associations, motion and stationariness, framing, light, diaphragm and composition vie for supremacy. We see a boy in beautiful back lighting, the girl curling in the sunlight and we experience the existential and aesthetic inevitability of the physical contact. Herbert allows us to share the act of watching and paints his models like a portrait painter.

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An intoxicating chronicle of the romantic liaisons of a group of beautiful young men and women in their Mediterranean idyll. Living in a rundown rural Italian villa, there’s little for them to do but sit around and have sex with each other.

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Film from James Herbert

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Music video for R.E.M.'s "Low" from their 1991 album Out of Time

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Short film from James Herbert

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Film from James Herbert

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Short film from James Herbert

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Short film from James Herbert

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Short film from James Herbert

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Short film from James Herbert

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"Herbert's silent films are noted for their study of texture and motion and for his use of nude imagery. "Night Horses" is his longest and his most sensual film to date." (MOMA Cataologue, 1977)

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