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The Best João Salaviza Directed Movies

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poster

72

39

6.6

/392/

52

/11/

71

/6/

3.6

/2567/

100

/9/

Through her child’s eyes, Patpro will go through three periods of the history of her indigenous people, in the heart of the Brazilian forest. Tirelessly persecuted, but guided by their ancestral rites, their love of nature and their fight to preserve their freedom, the Krahô never stop inventing new forms of resistance.

poster

74

38

6.8

/623/

67

/19/

67

/20/

3.5

/856/

100

A young man under house arrest spends his time in the best way he can by making some tattoos. His relative peace is strangely disturbed when he's attacked and robbed by three kids from the neighborhood. From then on, he'll try to find the kids who took his money and maybe give them a lesson. But with those actions, comes the reflection of how things were and are in this place filled with violence and hostility. Is change possible?

poster

71

38

6.8

/884/

68

/18/

58

/30/

3.6

/2518/

87

/15/

75

/2/

Denying his duty and in order to escape a crucial process of becoming a shaman, Ihjãc runs away to the city. Far from his people and culture, he faces the reality of being an indigenous in contemporary Brazil.

poster

61

17

6.4

/525/

53

/16/

64

/18/

3.4

/550/

Day breaks on the eighth floor in a suburban neighbourhood of Lisbon and 14-year-old David’s grandfather is still in hospital. Doctors give him only a few days to live. The imminence of death and the void that it will leave force David to become the man of the house, where he lives with his mother Mónica, who is in her 30s, and his three-year-old sister.

poster

66

14

6.3

/337/

71

/13/

62

/17/

3.4

/393/

Rafa is a 13 years old kid concerned with his mother, held in a police station for driving without a license. The director shows a day in the life of a teenager who lives on a problematic area and discovers that her mother was arrested because of an automobile accident.

poster

?

5.7

/54/

70

/3/

58

/5/

Russa returns to Bairro do Aleixo, in Oporto, visiting her sister and friends with whom she celebrates her son's birthday. In this short encounter, Russa returns to her neighbourhood's collective memory, where three of the five towers still exist.

poster

?

4.9

/23/

40

/1/

An homage to Pina Bausch.

poster

?

4.8

/44/

65

/2/

48

/10/

In the beginning the idea was to make something from nothing, in a neutral and unknown place. Collect images and sounds instead of producing them. The camera, the microphone and the mini-amplifier: tools that take away and then give back. We defined a rule: the sound shouldn't illustrate the image and the image shouldn't absorb the sound. Less than a hundred kilometres from Reykjavik we found Strokkur. For three days we saw and heard the internal dynamics of the crevice: the boiling water that spat out every seven minutes and the thermal shock, given the eighteen degrees below zero of the atmosphere.

poster

61

?

5.8

/142/

60

/5/

62

/8/

3.3

/209/

Developing from an idea of diptych, the story of Anajara and Allison is told from two perspectives in continuity. If late night work complicates the life of one of them, the incarceration in jail of the other determines a cycle of separation. Salaviza's skill to direct amateur actors is showed in this film, one of his more precise works.

poster

?

4.0

/14/

Casa Na Comporta is one of four films commissioned to different directors for the Portuguese architecture national exhibition at the Venice Biennale.

poster

?

6.1

/61/

25

/2/

A man is seen by a prostitute in his home. They try to communicate. But the loneliness they both carry creates a gap between them, enabling that communication.

poster

?

6.5

/60/

55

/2/

63

/3/

Karlon, born in Pedreira dos Húngaros (a slum in the outskirts of Lisbon) and a pioneer of Cape Verdean creole rap, runs away from the housing project to which he had been relocated.

?

In a tightly framed slice of suburban Lisbon, young characters grapple with juvenile bravado and the unspoken tensions of masculinity, framed through Salaviza’s spare, observational lens.

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