mdblist.com logo The Best Ricardo Bofill Directed Movies


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poster
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5.9
/24/
22
/4/
70
/3/

Esquizo (1970)
Esquizo takes place in a psychiatric hospital. A mental patient (Serena Vergano) is escorted into an operating room, where electrodes are attached to her scalp. The doctors dissect his brain and we enter the brain with a loud, jarring cry. In this space detached from reality, a group of actors perform elaborate interpretive dances. They jump, land on top of each other, place their hands on their bodies and form various shapes.
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5.4
/8/
10
/1/
100
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Circles (1966)
The geometry of circles and ellipses is explored using the Roman Colosseum as an example. Using the Pantheon as another practical example, this program explores the concepts of central and intercepted angles, arc segments and chords. The Etude du Cinéma de l’Ecole de Barcelona (a short-lived group that appeared in Spain in the 1960s) offers the opportunity to consider the distrust of the avant-gardes with regard to narrative. The lacunar narration whose principle the School of Barcelona adopts goes against the traditional narrative and its quest for coherence and continuity. She invites the viewer to make the disconcerting experience of unbinding and emptiness. Such an approach involves an ethical posture. The Barcelona School follows in the footsteps of a modernity that intends to move away from an alienating authoritarian discourse and claims to make the spectator a partner in creation.
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Alucinación arquitectónica (2025)
Architectural hallucination is a tour of the spectacular shapes of the first buildings designed by the Architecture Workshop. Serena's interpretation and the ideas of the voice-over explore the close relationship that exists between an architectural space and its inhabitant.
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Imagen de la ciudad (2025)
Tusquets frames this unpublished film in a decisive cultural moment: years before the dictator's death, when "suguing things began to happen." Image of the city is a creation made together with Bofill to be presented at the Tarragona Architecture Congress (May 1967). During filming on the streets of Barcelona, Ricardo was filming in Super-8 while Oscar was driving a convertible. The interiors, recorded in the studio of photographer Oriol Maspons, show Serena and Beatriz dancing. It is a modest but casual walk in which the sinuous shapes of the facades of the Barcelona of Cerdà are presented in relation to the female body. A dialogue is established between the modernist tradition, the symbols of pop culture and the powerful visual language of the Archigram group.


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