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The Best Edgar Reitz Movies. Go to The Best Shows

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poster

?

8.0

/13/

20

/1/

A study of Alexander Kluge that also emulates his technique of seeking and linking. Kluge reads aloud, Kluge recounts, including stories from his childhood and youth, from the bombing of Halberstadt, his home town. “What you don’t understand as a child you will contemplate for the rest of your life.” Kluge does this as the author of films, books, TV programs. He has always had several professions at once. He is a legal advisor, director, author, founder of the television production company DCTP, and person in charge of its culture magazines. But if you think that these are all different jobs, you’re mistaken.

poster

77

?

8.0

/50/

82

/4/

76

/4/

3.6

/332/

In 1968, the young Edgar Reitz teaches filmmaking at a girls’ school – a ground-breaking educational experiment. Fifty-five years later, there is a class reunion.

poster

?

7.6

/49/

100

/1/

From the 1950s onwards, Erika and Ulrich Gregor brought countless film historical milestones to Berlin and shaped cinema discourse in post-war Germany. A look at the life and work of the couple without whom Arsenal and the Forum wouldn’t exist.

poster

?

5.7

/60/

60

/1/

50

/1/

Anna Hepp meets with renowned German director Edgar Reitz in one of Germany’s most famous cinemas: the Lichtburg in Essen. Reitz talks about his life, his view of art and his sometimes philosophical viewpoint.

poster

?

7.6

/14/

N/A

poster

?

6.7

/14/

30

/2/

Documentary by Wilhelm Roth about the state of affairs of the Young German Cinema.

?

6.4

/24/

60

/1/

A documentary by Hans Günther Pflaum and Peter H. Schröder.

poster

?

6.9

/9/

55

/2/

For over half a century, the filmmaker Edgar Reitz, one of the signatories of the Oberhausen Manifesto and a pioneer of epic film narration, has explored, as a practitioner and theoretician, the rules and limits of cinema, which he always seeks to break and extend in new ways. One example of his tireless search and research are the Geschichten vom Kübelkind, which he co-directed with Ula Stöckl in 1969/70, 22 absurdly funny, subversive and anarchistic short films of different lengths, which consciously oppose all conventions, with incredible success. The films remain unrivalled in their Dadaistic inventiveness.

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