mdblist.com logo The Best Oscar Beregi Sr. Movies. Go to The Best Shows


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poster
Criterion Channel
80
77
7.9
/14465/
74
/266/
76
/275/
4.0
/17732/
86
/21/
90
/221/

The Testament of Dr. Mabuse (1933)
After a detective is assaulted by thugs and placed in an asylum run by Professor Baum, he observes the professor's preoccupation with another patient, the criminal genius Dr. Mabuse the hypnotist. When Mabuse's notes are found to be connected with a rash of recent crimes, Commissioner Lohmann must determine how Mabuse is communicating with the criminals, despite conflicting reports on the doctor's whereabouts, and capture him for good.
poster
?
70
/1/

Yizkor (1924)
A period drama set in a Volhynian village.
poster
?
5.3
/56/
80
/2/

The Blue Idol (1931)
Baron Lóránt, now bankrupt for reasons for which he cannot be blamed, starts a new life in America, accompanied by Péter, his faithful valet. They both work as waiters in a bar. Things turn nasty when Lóránt recognises his uncle in one of the bar's customers. Embarrassed by his present job, he refuses to serve his uncle and is, therefore, promptly given the sack.
poster
?
6.0
/8/

Der Geliebte seiner Frau (1928)
N/A
poster
?
6.7
/20/
55
/2/
60
/1/

Jewels (1930)
JEWELS is an early example of the visual fascination of dark Vienna. The film was released in 1930 as one of the last silent films under the powerful title SENSATION IM DIAMANTENCLUB. The screenplay was based on motifs from Hoffmann's story 'Das Fräulein von Scuderi' (1819), which is considered the first crime story in German. Director Hans Brückner mixes some elements of the genre in his crime film, the palette ranges from classic 'Whodunit' to detective to elements of horror film, focuses on shadows, lighting effects, cross-fading according to German and drastic wrestling matches based on the American pattern. As a 'modern' script idea, the dissociative movement disorder, i.e. the psychological paralysis of a victim in shock, impresses a motif that will later prove to be indispensable for the horror repertoire.
poster
?
4.0
/28/

The Man Of The Earth (1917)
N/A
poster
?
6.2
/18/

The Flaming Forest (1926)
North-West Mounted Police Sgt. David Carrigan takes a breather from fighting as he brings a convict to trial and woos the lovely Jeanne-Marie.
poster
Cultpix
?
5.8
/73/
50
/1/
60
/2/

A Train of Ghosts (1933)
Remake of the English movie Ghost Train (1931, Walter Forde). Seven people are stranded for a stormy night at a remote, unmanned railroad station past which, every midnight, steams the "ghost" of a train which wrecked there 20 years ago.
poster
46
?
5.5
/422/
25
/4/
60
/6/

Desert Legion (1953)
A commander in the Foreign Legion romances a mysterious and exotic princess.
poster
34
?
6.4
/178/
5
/2/

Anything Can Happen (1952)
A quirky relationship unfolds between an immigrant and an all-American folk music fan.
poster
52
?
5.0
/116/
60
/1/
48
/5/

My Brother Is Coming (1919)
Inspired by a poem by Antal Farkas and tribute to socialist leader Bela Kun. The film is about a family waiting for a brother to return from a revolutionary war.
poster
58
?
75
/193/
40
/1/

Ssanin (1924)
Scenes from the beginning of the Russian revolution against the czaristic regime.
poster
58
?
5.8
/196/
61
/5/
56
/7/

The Man of Gold (1919)
Faithful to his word, Michael Tímar, captain of the St. Barbara, becomes the guardian of Kondya, daughter of a Turkish aristocrat on the run. Later, he weds the grateful young Turkish girl whom he saved from the waters of the Danube. While skillfully managing his wife's fortune, entrepreneur Tímar becomes an important wholesaler of wheat and exports his products to Brazil. But his marriage of convenience proves a failure. He is torn between the demands of bourgeois civilization, governed by money, and the ideal of freedom, consisting of living simply within nature. He then takes refuge by the side of the sweet Noemi on an island on the Danube.
poster
60
?
5.8
/124/
63
/5/

Moon of Israel (1924)
A Jewish slave girl falls in love with the Pharaoh's son during the Exodus.
poster
?
5.3
/58/
40
/1/
10
/2/
40
/5/

Camille (1927)
Based on the 1852 novel and play La Dame aux Camélias by Alexandre Dumas, fils.
poster
?

Károly bakák (1918)
N/A
poster
?

Vier Nächte einer schönen Frau (1924)
A non-access nitrate print is held by Filmarchiv Austria.
poster
?

Meriota, die Tänzerin (1922)
N/A
poster
?

William Ratcliff (1922)
N/A
poster
?
6.2
/6/

Der Fluch (1925)
A young Jewish woman in an Eastern European shtetl struggles to reconcile her aspirations with her duty to her family. As her lifestyle grows wilder, her mother is shocked by her immoral behaviour and commits suicide by drowning - repeating "the curse" which has haunted the family for centuries.
poster
?

Gólyakalifa (1917)
A baron has recurring nightmares of being a dock worker on the run.
poster
?

Der Dieb im Schlafcoupée (1929)
N/A
poster
?

Different Women (1928)
The attaché of a former government of the Ukraine marries a rich Russian woman who wants to climb in society whereas her unnatural affection for another woman keeps her from really becoming his wife. Her daughter falls in love with her stepfather, family drama. The mother and the other woman are murdered, so there is a happy-end for husband and daughter.
poster
?

When We Grow Old (1917)
N/A
poster
?

Die Jugend am Scheideweg (1929)
N/A
poster
?

The Love Thief (1926)
To avert war between their countries an official marriage is arranged between Crown Prince Boris of Moraine and Princess Flavia of Norvia. Prince Karl of Norvia sees in the alliance an opportunity to gain control of both kingdoms but upon visiting Boris finds him unyielding and independent. Flavia, shedding her stately dignity in the palace garden, is accosted by the flirtatious Boris, who believes her to be the princess' cousin; and falling in love, he realizes that he cannot go through with the planned marriage.
poster
?

Butterflies in the Rain (1926)
Tina, who is from an aristocratic English family, believes in the new freedom for women and is an ardent follower of a group of pseudo-bohemians. While riding through the neighboring estate of John Humphries, a wealthy commoner resented by the Carteret family, she is retrieved from a fall by John and blames him for the accident. The following day, she invites him to dinner, pretending repentance, but taking pleasure in ridiculing his old-fashioned dignity.


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