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poster
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7.1
/68/
70
/2/
68
/4/

The English Marriage (1934)
Georg Alexander plays Douglas Mavis, the son of a rich English family who falls in love with a Berlin girl (Renate Müller) and marries her. However, he doesn't tell his family, and for a reason: the resolute head of the family (played by the inimitable Adele Sandrock) has other designs for her grandson. Further complications arise when the family lawyer (Adolf Wohlbrück) gets to know the Berlin lady without knowing who she is. And meanwhile, Mavis meets an alluring lady from a cabaret (Hilde Hildebrand).
poster
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7.0
/60/
85
/2/
60
/3/

Last Stop (1935)
Endstation offers the American viewer tantalizing glimpses of busy, bustling mid-1930s Vienna. Otherwise, this minor yarn of an amorous streetcar conductor is strictly formula material. The film benefits from the star power of Paul Horbiger, resplendently garbed in an elaborate conductor's uniform. Also worth noting is the performance of Maria Andergest as the woebegone hatmaker whose fate is inextricably linked with hero Horbiger. Incidentally though the direction is credited with one E. W. Emo, Paul Horbiger actually called most of the shots on Endstation.
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Eine Siebzehnjährige (1934)
Walter is in love with the 17-year-old Erika, but she raves for older, experienced men. When Walter and Erika visit his parents' estate after passing their exams, Erika shows increasing interest in Walter's father, Werner von Schlettow.


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