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The Best Nobuhiro Yamashita Movies. Go to The Best Shows

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poster

82

72

7.5

/3579/

75

/112/

71

/66/

3.9

/4345/

100

/12/

88

/85/

A rock band writes a song called "Fish Story" that is foretold to save the world. The song exceeds the boundaries of space and time and ties people and their stories together.

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75

/2/

Documentary on the legendary bento shop "Popeye," known to everyone in the film industry.

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5.4

/23/

70

/1/

Interview with Yamada Takayuki about his life, career and interests.

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6.4

/21/

63

/3/

63

/3/

Nobuhiro Yamashita shoots the adaption of the City Lights manga by Hiroyuki Ohashi with three members of the Nogizaka46 idol pop band. The story is told on three levels: Documentary-style on-set where we see the film being made and the idols struggling with their roles, the resulting movie which revolves around three girls in a psychic research club discovering a classmate with super powers who turns out to be an alien and a stage adaptation of the film with the same characters.

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This is the third installment of the psychic documentary series in which Nobuhiro Yamashita and his assistant Yoshimi Nozaki travel to haunted places in Japan in search of spiritual encounters.

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This is the second installment of the psychic documentary series in which Nobuhiro Yamashita and his assistant Yoshimi Nozaki travel to haunted places in Japan in search of spiritual encounters.

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The first attempt in the history of J-horror! A new combination of horror and documentary, here is an unprecedented approach to "horror" that goes beyond "The Blair Witch Project"!

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Anthology film with 3 stories. 207-Goshitsu no Kyaku (Guest in Room 207), Yochi Yume (Prophetic Dream), and Isho (Suicide Letter).

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Nakagawa shot “Coming Future” on the nights of December 24 and 25, 2010 in Shibuya, making it his location for an idealized Bohemia in the heart of Tokyo. Interesting interviews/discussions with Kenji Murakami, Nobuhiro Yamashita, Kenji Onishi, Tetsuaki Matsue and more... By far the most interesting sequence is with Kenji Onishi (“A Burning Star”). Wielding a super-8 camera, Onishi documents his own interview, taking random shots of street-life and buildings. He leavens his monologue with statements bordering between cliché and outré. “A movie that aims to make a message is boring.”

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