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Untitled Sequence (2017)
"Untitled Sequence", is an artist film that explores the material processes of filmmaking such as visual narration, cinematography, soundtrack creation and film editing from the perspective of a young female artist – a perspective that is still under-represented in conventional filmmaking. The film engages with contemporary issues of identity and allegories of artistic practice, and is influenced by Jean Cocteau and Maya Deren’s films (particularly their creation of visual ‘dreamscapes’), Nobuhiko Ôbayashi (especially his editing processes) and Lee Miller’s embodiment of both the artist and the artist’s muse in her work both in front of and behind the camera.
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de Luz (2022)
Filmed during lockdown 2020, ‘de Luz/Of Light’ explores fleeting perceptions and cyclic rituals of Portuguese coastal landscapes, specifically surrounding the Cabo Sardão Lighthouse in Beja, and constructs a complex audio-visual narrative through collaging together various natural rhythms (such as the sun and motion of the sea). This film is intended for screening with a 16:27 aspect ratio. The soundtrack was composed by sound artist Michelle Lewis-King.


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