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poster

75

54

7.4

/2263/

75

/80/

75

/59/

3.8

/2599/

When famous detective Nick Carter visits Prague, he becomes involved in strange case of a missing dog and even stranger carnivorous plant. He becomes convinced that he is standing against his greatest enemy, the Gardener, who supposedly died years ago in a swamp...

poster

?

6.0

/9/

N/A

poster

?

5.2

/7/

N/A

poster

?

4.4

/11/

10

/1/

N/A

poster

?

7.3

/18/

10

/1/

55

/1/

Biography of the life of Guillaume Apollinaire.

?

10

/1/

N/A

poster

?

4.7

/29/

57

/8/

42

/4/

Vera, wife of the plumber Simandl (Josef Somr), is found murdered in the cinema next to the IDOC (Information and Documentation) agency where she worked. Police captain Marha (Frantisek Nemec), who is leading the investigation, is informed by Simandl that on the day of the murder Vera promised to bring home fifty thousand crowns to buy a car. Marha's primary suspects are the three men working at the agency: deputy editor-in-chief Brandl (Jirí Pleskot) and editors Pernata (Eduard Cupák) and Remes (Ludek Munzar, and of course also Simandl.

poster

?

5.6

/34/

40

/1/

40

/5/

Lucie Rýdlová is found dead at a destroyed car after a night accident. The seat position shows that she cannot have been driving, and the dissection proves that she had died about four hours after the accident. It is for sure that a timely medical assistance could have saved her life. A pretty young tennis player Lucie lived at her grandmother, because her parents had been working abroad. Criminalists found out that the girl was going out with the interpreter Valenta (Eduard Cupák), who was twenty years older than her, divorced and a bit egoistic man.

poster

?

6.5

/31/

45

/2/

42

/4/

Autumn 1944. A doctor is accused in the collaboration with the Nazis and found guilty...

poster

?

6.0

/79/

71

/5/

53

/3/

In an unusual, apolitical approach, director Jaromil Jires has fashioned a standard drama that features an older lawyer with failing health who goes to practice in the countryside. His series of odd court cases reveals more about the human condition than about law. In one of these litigations a wayward nephew has cheated his elderly aunt out of her savings. In court, the nephew insists the money was a gift, but his aunt explains she only gave him the money as a loan. Although the lawyer technically wins the case, everything of value seems lost in the meantime. His services are paid for in rabbits because the aunt has no currency, and in the end, the nephew cons his aunt into parting with her savings anyway. Other cases expose similar types of petty corruption.

?

10

/1/

70

/1/

N/A

poster

?

75

/5/

80

/1/

N/A

poster

?

5.5

/12/

10

/1/

About a shy history professor and his difficulties in finding a partner through personal ads. Although women are interested in Professor Hrstka, he has not yet managed to get married. His former classmate Koníček, who happens to meet him as a house painter, wants to help him. However, the shy professor prefers to put Koníček forward when it comes to dating. This means that they swap professions, and his new girlfriend asks him to paint her apartment. Koníček has to help him with this.

poster

63

?

6.3

/177/

71

/21/

59

/8/

Honza Pavelka (Jan Hrusínský) wins the junior motorbike speed races. His thirteen-year-old brother Martin (Roman Cada), his assistant and biggest fan, answers the questions of his schoolfriend Pavlína in a superior tone. Student Zuzana (Libuse Safránková), who gave her scarf to Honza to wear around his neck for the races as a talisman is Honza's girlfriend. He met her when he came to her parent's home to repair the TV set. Honza declines an invitation to celebration with his friends. He goes off with Zuzana instead, but she refuses his intimate advances. The offended young man, who is about to serve his two years in the army, tries to blackmail her emotionally and the couple breaks up. Martin tries various schemes to bring them together again.

poster

?

4.4

/19/

75

/2/

35

/2/

In the 1950s, selected basic soldiers in a small border unit guard the western border with devotion, fighting intruders and uncovering their network of facilitators. It's a story of border guards that thankfully wasn't much of a political nudge, more of a tongue-in-cheek tale of young men at war and their joys and sorrows. And in between, they managed to catch a saboteur.

poster

?

6.9

/44/

10

/1/

65

/6/

In 1947 by the Beskid mountains, the traces of war still linger, destroyed tanks dispersed throughout the farmland creating an eerie backdrop. This film follows a ten-year-old boy and the strange visions he encounters, his world of fantasy exacerbated with ample time, space, and a lack of companionship or guidance. We see the adults that influence and dominate his life, for better or for worse. Surreal and packed with an excellent study of human emotions and motivations compounded by their rural, isolated vacuum of a town, this is a timeless and severely underrated film from a brilliant Czech director.

poster

?

5.3

/54/

65

/6/

80

/2/

An only son, Jirí Valenta (Jaromír Hanzlík), has been drafted to the army. At the barracks he acquires the nickname Seamstress because he sews rugs in his spare time. One day, his friend introduces him to Julka Vávrová (Jorga Kotrbová), a girl he is desperate to get rid of. The naive Jirí falls in love with the girl and accepts her invitation to spend Easter together in the country. There he learns that the girl is the single mother of the young boy Martínek, whose father is the married tractor driver.

?

This documentary-style story tells the story of an aspiring documentary filmmaker who is preparing a film about the history of glassmaking. He is honestly gathering information, slowly getting closer to an unknown and not always accessible environment, to people, whose actions he often doesn't understand because he misses their motivations... Shards for Eva is certainly not a skillfully wrought work, but it certainly impresses with its sense of at least partial capture of everyday reality.

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