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poster

69

6.9

/1156/

69

/24/

66

/16/

3.3

/3173/

88

/69/

53

/11/

68

/16/

3.0

Pauline Kael (1919–2001) was undoubtedly one of the greatest names in film criticism. A Californian native, she wrote her first review in 1953 and joined ‘The New Yorker’ in 1968. Praised for her highly opinionated and feisty writing style and criticised for her subjective and sometimes ruthless reviews, Kael’s writing was refreshingly and intensely rooted in her experience of watching a film as a member of the audience. Loved and hated in equal measure – loved by other critics for whom she was immensely influential, and hated by filmmakers whose films she trashed - Kael destroyed films that have since become classics such as The Sound of Music and raved about others such as Bonnie and Clyde. She was also aware of the perennial difficulties for women working in the movies and in film criticism, and fiercely fought sexism, both in her reviews and in her media appearances.

poster

?

8.6

/6/

Revisiting the making of the film through the voices of those involved, including director Steven Spielberg and stars like Liam Neeson and Ben Kingsley. These accounts reveal the challenges of bringing Thomas Keneally's book to the screen, from production difficulties in Poland to the studio's initial reluctance to the all-black-and-white cinematography. The oral history also explores the film's enduring legacy.

?

7.2

/48/

An original documentary exploring one of America's most beloved films. Take a journey with director Jon Avnet, actresses Kathy Bates, Jessica Tandy, Mary Stuart Masterson, Mary-Louise Parker, along with many others, through the experience of creating this memorable film.

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