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The Best Jean Eustache Movies. Go to The Best Shows

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poster

77

7.4

/20864/

72

/446/

70

/418/

4.0

/53019/

88

/25/

80

/217/

79

/11/

3.0

Tom Ripley, an American who deals in forged art, is slighted at an auction in Hamburg by picture framer Jonathan Zimmerman. When Ripley is asked by gangster Raoul Minot to kill a rival, he suggests Zimmerman, and the two, exploiting Zimmerman's terminal illness, coerce him into being a hitman.

poster

?

4.7

/10/

10

/1/

A musician has to compose a commissioned work for a film. But his mind is guided by external solicitations that constantly divert him from his work.

poster

?

6.1

/48/

46

/5/

This is the tale of a father-son duo who are unable to leave each other. The trouble begins when the son decides to destroy his father's image.

poster

?

6.9

/23/

10

/1/

63

/3/

Philippe Garrel’s documentary on France’s second wave of masterful filmmakers. Featuring Jean Eustache, Chantal Akerman, André Téchiné, Leos Carax, Jacques Doillon and Benoit Jacquot.

poster

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20

/1/

Ángel Díaz’s documentary The Lost Sorrows of Jean Eustache, concentrates on Eustache as cinematic thinker and archivist of his own life. Actors read texts written by Eustache, including the following reflection: “The role of the author in cinema should be one of non-intervention.” This sentence reminds us that he belongs to the greatest of film traditions (he cites Griffith, Renoir, Dreyer, and Lang as his models), the one that sees cinema as a matter of placing the camera in front of reality and capturing it ardently, precisely, and without tricks.

poster

?

6.2

/6/

40

/3/

60

/1/

Influenced and inspired by Jean-Luc Godard, some young french directors (Jean Eustache, Francis Leroi, Jean-Michel Barjol, Romain Goupil, Luc Moullet) are talking about their problems in producing less expensive and more free films in the french industry of cinema of the 60's.

?

10

/1/

Milena Gabanelli sits in her room while listening to one of the last voice recordings of Jean Eustache.

poster

?

6.7

/34/

10

/1/

60

/4/

François Truffaut said of Paul Vecchiali in his early days that he was "the only true heir of Jean Renoir." The first short film of this director, who was to become a singular figure of independent French cinema, follows the path of an elderly woman towards her memories and beyond. Attentive, affectionate and sometimes cruel, Vecchiali's camera invents its own expressive language.

poster

63

?

7.0

/139/

40

/2/

68

/4/

3.7

/447/

Eustache’s grandmother Odette Robert was a key figure in his life, serving as a substitute mother during much of his childhood (My Little Loves was dedicated to her). In 1971, he recorded an interview with her that went largely unseen until 2003—Eustache never screened the complete film publicly, although a radically truncated version was presented on television. In a string of long, stationary takes, the camera watches over Eustache’s shoulder while he pours countless glasses of whiskey and Odette tells the stories of her life. A number of her themes resonate with those of Eustache’s films: cruelty, male philandering, the Rosière festival of Pessac. Number Zero is a return to origins—of cinema and of the self—and an experiment in narration, both restrained and deeply personal.

poster

?

The confrontation of reality and dream.

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