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The Best Sylvie Fennec Movies. Go to The Best Shows

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poster

61

40

6.3

/1649/

60

/50/

56

/57/

3.4

/2002/

Hud Dixon returns to his hometown when his brother is killed by a lynch mob.

poster

73

35

7.2

/1113/

67

/19/

69

/23/

3.4

/321/

90

/529/

Aging opera singer Joachim Dallayrac retires from the stage and retreats to the countryside to school two young singers. Although the rigorous training takes its toll on both teacher and students, there is plenty of time for relationships to develop between the three.

poster

43

24

4.0

/2323/

47

/107/

45

/80/

2.7

/847/

32

/8/

Emmanuelle and her architect husband continue their amoral lifestyle in the Seychelles. But when a casual dilliance between her and a film director starts to turn serious her husband shows very traditional signs of jealousy.

poster

?

4.8

/33/

10

/1/

40

/2/

A mother and her daughter both have a relationship with the same man.

poster

?

10

/1/

The story of three characters, a little marginal, whose existence will tip over into the dramatic, during a day like many others .....

poster

?

5.3

/50/

10

/1/

50

/3/

Nobles try desperately to cling to the crumbling aristocracy in the days following World War I. The Count (Jean-Claude Brialy) and his Countess Mahe (Sylvia Fennec) delight in throwing lavish costume balls. The couple develops a friendship with a young boy who delights in the parties thrown by the noble couple. Love soon blooms between the Countess and the boy as she searches for something more than a string of endless parties and social affairs. The masquerades are an attempt to freeze time and hold on to the nostalgia of a bygone era. For fear of losing her, the Count allows the Countess to continue her love affair.

poster

?

5.2

/43/

55

/2/

Summer 1914, Vienna. Franz, a handsome young hussar lieutenant, falls in love with Sissi, daughter of the Austrian Generalissimo. Shortly afterwards, the First World War breaks out. It provides Franz with the perfect opportunity to earn his stripes and claim the girl's hand in marriage.

poster

?

5.1

/81/

10

/1/

50

/1/

A woman marries into a family of insane psychopaths in this bizarre French horror film with strong sadomasochistic overtones.

poster

?

4.3

/39/

10

/1/

20

/1/

An artist grows hateful of commercial demands on his questionable talents when his friend and artist commits suicide. He puts the blame for his friend's death on an art critic and a shady art dealer. He is able to take out his frustrations on the pretentious critic at a party. When an elderly man moves into the boarding house, he brings a machine he invented that can make people realize their subconscious dreams...

poster

58

?

6.2

/372/

54

/9/

53

/14/

When Catherine is caught with her illicit lover by her father-in-law Paul, the concerned father leaves to tell his son Thomas about the incident. Paul is injured in an auto accident and returns home in a wheelchair unable to speak. Catherine's guilt weighs heavily on her as she hopes to never let Thomas know she was unfaithful. She panics and seeks a way to eliminate Paul in this psychological thriller.

poster

53

?

6.7

/80/

36

/3/

51

/7/

3.4

/200/

The critical success in France of How Tasty Was My Little Frenchman made possible dos Santos’ delirious science-fiction vision of free love in a post-apocalyptic wilderness besieged by flesh hungry zombies contaminated by an unnamed nuclear attack. Who is Beta? follows two statuesque survivors drawn irresistibly together only to be entranced by the arrival and sudden disappearance of a third, the bewitching raven haired Beta. With its cartoon-like depiction of extreme violence and desire, Who is Beta? offers a heady Pop-infused companion to Hunger for Love. Yet beneath its giddy play of surfaces, dos Santos' underappreciated film gradually reveals a darkly ambiguous metaphoric dimension. -Harvard Film Archive

poster

?

1730: shortly after the revocation of the Edict of Nantes, women refusing to abjure Protestantism are imprisoned in the Tower of Constance. Among them, Marie Durand, who would later become an icon of the Huguenots. All these women consumed by loneliness, illness and fear cling to only one idea: to resist.

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