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The Best Ernst Waldbrunn Movies. Go to The Best Shows

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Vienna no longer has anyone like him: Karl Farkas. "Look at that!" was the leitmotif of his life. He was the only one of the postwar generation who could demonstrate how cabaret had been performed during the interwar period: primarily with Jewish wit, humor, and plenty of personality. Farkas became known throughout Austria through his legendary TV shows "Balance Sheets." His "Annual Balance Sheets" remained a television hit until his death. Among those appearing in the best Farkas shows are Ernst Waldbrunn, Maxi Böhm, Gerhard Bronner, Fritz Muliar, Otto Schenk, Ossy Kolmann, and Fritz Imhoff. The DVD "Look at that!" brings together the highlights from "Simpl" and TV's "Balance Sheets." A classic of intelligent humor from 1965-1971.

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A short comedy directed by Kurt Nachmann.

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Beautiful Vienna during the Austro-Hungarian era. Lixie, a court councilor's daughter raised in a middle-class family, has fallen in love with the piano teacher Toni. To make a good impression on Lixie's strict father, Toni urgently needs a job. Then chance comes to Lixie's aid. At the Hotel Sacher, she meets Archduke Peter Ferdinand, the very man who could help Toni. But the Archduke only has eyes for Lixie. An unsuitable love affair develops between the two, which quickly escalates into a political scandal in Vienna's high society.

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A smugglers gang is active on the Austrian-Swiss border. Until now, no one has come to their attention. But one day a little girl gets seriously ill and needs medical attention; the young operator will forget that he has to be careful and calls for help through the secret channel.

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Oskar Schnabel is a wholesaler of fruits from the Arabian region. One day his oriental trading partner passes on a twelve-piece of harem ladies to him.

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Arthur Schnitzler's key piece describes the liaisons of his artist colleagues from the Cafe Central, Vienna. Behind the character "Treuenhof" is Peter Alterberg recognized, "Winkler" = Arthur Schnitzler, "Flatterer" = Frida Uhl, "Rapp" = Stefan Großmann, "Willi" = Hans Lang, "Van Zack" = Adolf Loos, and "Lisa" = Lina Loos.

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Taking place over 12 hours on New Years Eve, a concert pianist murders his wife's lover, then frames an innocent man.

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Oberst Alfred Redl heads the military intelligence department of the Austro-Hungarian monarchy. Frequent letters from the Russian Empire, however, make him suspect of sharing his knowledge with unauthorized authorities.

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Dr. Wittich is a passionate speleologist who spends more time on his research than on his fiancée Cornelia. As a result, she turns to the rich industrialist Roy, whom she eventually marries. But her heart actually belongs to the explorer and so she is drawn back to him.

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In the Vienna of the Biedermeier era, the young Carl makes a delicate wager with two officers: If he does not succeed in presenting a new romantic adventure by the next day, he has to treat the soldiers to ten bottles of sparkling wine. Albeit he tries in vain to seduce the pretty maid Franzi, Carl brags about his alleged conquest the next day in his favourite pub. When the senior lieutenant Stephan, who is head over heels in love with Franzi, hears about Carl’s putative success, he writes, out of his lovelornness, a catchy song about the carefree maids of Vienna. The song becomes the talk of the town — but the Viennese maids are so disgruntled about the earworm that they go on strike in protest at the grand Radetzky ball…

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Take a look at this... Karl Farkas' statement has long been a standard quote in classic theater literature. Farkas was one of the figureheads of that cabaret era, which had actually died out in Europe by the end of the 1930s: the entertainment theater of the interwar period, which had developed an irreplaceable style of acting and comedy, especially in Vienna and Budapest. After returning from America, Farkas brought many comical talents to the Simpl: Peter Alexander, Alfred Böhm, Fritz Imhoff, Ossy Kolmann, Fritz Muliar, Heinz Petters, Kurt Sowinetz, Fred Weys, and, of course, Ernst Waldbrunn. The DVD Take a look at this brings together the highlights from the Simpl and TV reviews from 1957 to 1965.

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Albin Skoda embodies a frantic Adolf Hitler in his last days, scrambling to keep the Third Reich alive as morale within the bunker wanes and Berlin is encircled by enemy troops. Based on Michael A. Musmanno's book Ten Days to Die, Oscar Werner costars as fictional Nazi Hauptmann Wüst, a disillusioned middleman.

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Before the police station in Ober-Himmelbrunn is dissolved, the local landlord reports a burglary. The young gendarme Thaler is assigned to solve the case. Disguised as a holidaymaker, he goes to work. In the process, he conquers the hearts of twelve attractive girls who want to spend their holidays in an alpine hut.

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