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poster
60
7
5.3
/211/
58
/6/
70
/1/
3.0
/622/

Sakaratul Maut (2024)
At a time when Pak Wiryo found it difficult to die because he had a 'hold', the children of his first wife and second wife were fighting over the inheritance.
poster
?
10
/1/

Sebelum Senja Berakhir (2025)
The demonstration against the eviction of the Harmonie Damai nursing home reunites Sendja and Sundari, two old friends who are now separated by betrayal and are struggling and tracing old memories.
poster
?
5.3
/61/
20
/1/

Untitled (2025)
In the midst of a religious boarding school life, SARAH, a female student, is disturbed by a series of nightmares about a KUNTILANAK threatening her. Following the guidance of the boarding school caretaker, Nyai Fatima, Sarah goes to a haunted village, Wonoenggal, to uncover the dark secrets of her past. There, she meets her friend from the boarding school, AZIZAH, who was born there. Fate also brings Sarah together with MAJID, a young doctor doing his internship in Wonoenggal. Sarah discovers that the village is submerged in spiritual darkness under the control of MBOK DARMI, and the terror of the kuntilanak that haunts it. Sarah must face supernatural threats and human evil, uncover terrifying truths, and engage in a deadly battle to find answers about her origins and help the village break the curse that haunts them.
poster
?

Pembayun (2024)
Ayu, who has been living away from home, returns to her hometown to help her mother, Mrs. Kus, prepare the manggar gudeg (a traditional Indonesian dish) for the Kupatan (Indonesian traditional Kupatan) celebration. At a Family Welfare (PKK) meeting, Mrs. Kus proudly offers to cook the manggar gudeg, even though the main ingredient, manggar, is becoming increasingly difficult to find due to climate change. This difficulty sparks a heated debate between Ayu and Mrs. Kus at the market, until they meet Mr. Budi, who ultimately helps them obtain the manggar. Through this emotional journey, Ayu learns about the power of women and the importance of preserving family heritage.


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