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Shankar Parvati (1943)
A dance-based mythological featuring Shankar (Arun), the triad in the Hindu pantheon (sometimes equated with Dionysus), who dances the Tandava, the dance of destruction, when his wife Sati kills herself after she is humiliated by her father. He then retires into meditation from which he has to be awoken to rid the world of the demon Tarakasura. The seductive powers of Sati, reborn as Parvati (Bose), liven up Shankar but she has to pay for this by doing extensive penance, after which she can be accepted again by her husband as a real wife, partly through the divine intervention of Vishnu.
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Vish Kanya (1943)
An Indian film drawing on the ancient concept of the "poison maiden." It depicted a mysterious and dangerous woman whose very touch or presence could be lethal.
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Bhanwara
Set in the early 1940s, the film, a musical comedy is about two friends who arrive in the city to find jobs.


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