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Paroles d'oiseaux à Toro Muerto (1988)
This video links man's prehistoric traces in nature to the myth of the destruction of humanity. The birds speak about the frailty of the balance between culture and nature. Primitive figures which evoke Peruvian history emerge from Chantal duPont's paintings and take part in actual situations. In his flight, the eagle releases aman, only to eventually become his prisoner. From within a blaze where birds are consumed, a human form emerges. It has become both stone and archeological symbol.
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Corps d'oeuvres (1988)
A feminine character stages fragments of paintings through dance. The metaphoric body constitutes the essence of this artwork. Two narrations are conjugated in the present and in the past : one speaks of the human quest for survival and the threat of man's intervention in nature, while the other evokes a wild nature where characters and animals are emerging. Paintings of Caravagio, Della Francesca, and Douanier Rousseau overlap the two accounts.


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