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Beethoven's only opera came to the stage of the Opéra Comique in Paris in 2021 in a sensational production. The work of conductor Raphaël Pichon and director Cyril Teste reveals their appreciation for a work that is rarely performed in France. At the center of the plot is Leonore, who, disguised as a man, searches for her husband Florestan.

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Liberation opera, revolutionary artwork, an ode to fidelity in love and utopian drama – Fidelio, Beethoven’s only opera, is all of these things. The numerous characterisations and interpretations add an aura of mystery to the opera but demonstrate above all that it is a unique work of musical theatre that expresses the hope for a humane future with justice and liberty for all. The stage direction is in the hands of the Ukrainian director Andriy Zholdak. His visual imagery, replete with symbols, is reminiscent of great film directors such as Andrei Tarkovsky and Ingmar Bergman. Using a distinctive style, Zholdak explores the deeper layers of the universal human drama of Fidelio. These layers can sometimes be difficult to follow.

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