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Tapes of Revolution (2024)
The story of Yamin Masika, the “Don Quixote" of Israeli cinema — a director, social activist, and cultural entrepreneur who played a pivotal role in transforming Mizrahi culture from the margins to the mainstream. In the 1990s, after repeated rejections by the Israeli film industry, Masika began creating underground, low-budget films and music videos featuring Mizrahi artists like Avi Bitter, Tamir Gal, Moshe Cohen, Sarit Hadad, and Zehava Ben. Though ridiculed and dismissed by the establishment, these films resonated deeply with audiences who had been excluded from mainstream media for decades, leading to a cultural revolution.
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Festigal 99: The Festigal of the Next Millennium (1999)
Chani "from the TV" has to travel across the galaxy and pick up personality traits that will help her save the "Year 2000" girl from the evil hands of Professor Samael and the Y2K Bug, who plot to prevent the arrival of the new millennium.
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Festigal: Pelenovela (2001)
Tzika, a father to a newborn baby called Barak, is invested in the new telenovela, "Osher". The show depicts a mother and a child named "Osher", who is the same age as Barak, navigating the departure of her father and her poor life. Years later, when Osher grows up, she sets out to find her father, which leads to an encounter between her and Barak, blurring the lines between TV and real life.


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