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6.8

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In collaboration with AIDES, an association fighting against HIV, this feature film brings together over 30 artists to explore the freedom to love beyond stereotypes. Desire, passion, break-ups, Grand Amour or the modern version of the freedom to love. All stories are told across genders and sexualities.

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Theseus, Duke of Athens, and Hippolyta, queen of the Amazons, become caught up in a domestic quarrel between the king of the elves and the queen of the fairies which results in the intervention of the mischievous Puck and his magic potion along with a troupe of amateur actors. The denouement is celebrated in the form of a grand virtuoso entertainment. One of George Balanchine’s rare narrative ballets, A Midsummer Night’s Dream is entering the Paris Opera Ballet’s repertoire. The sets and costumes for this production have been designed by another magician of the stage, Christian Lacroix.

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Ballet in three acts (1994) Encore Screenings! ‘What has become of love today?’ asked Angelin Preljocaj in 1994, when he created Le Parc for the Paris Opera Ballet. Thirty years later, the world has changed again, but his timeless ballet has travelled around the world. In a French-style garden, the choreography draws us into the seduction games of the Grand Siècle and the Age of Enlightenment, appealing to our classical musical and literary imagination: famous works by Mozart, the Map of Tendre, Dangerous Liaisons. But Preljocaj breaks with tradition by introducing a contemporary soundtrack and a choreographic language composed of broken lines and sensual movements. Like the final pas de deux, where the bodies whirl around for a languorous kiss: a moment of grace that has become the signature of this ballet.

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“Siddharta” is a landmark contemporary ballet by Angelin Preljocaj, created for the Paris Opera Ballet and inspired by the spiritual journey of Siddhartha Gautama, the future Buddha. Set to an original score by Bruno Mantovani, this production fuses philosophical narrative with avant-garde choreography and striking visual design by Claude Lévêque. The piece explores themes of desire, suffering, and transcendence, following Siddharta’s path from royal privilege through temptation and enlightenment. The work stands out for its blend of spiritual intensity, physical virtuosity, and the grandeur of Paris Opera’s leading dancers.

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Louis Langrée, Guillaume Gallienne and Clairemarie Osta combine performing arts to honour these two masterpieces, inspired by the gallant XVIIIth century, in a show that celebrates comic spirit’s fruitfulness and freedom in genre.

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To bring together again, for the first time since their premiere on a December evening in Moscow, Tchaikovsky’s opera Iolanta and ballet The Nutcracker, was the audacious challenge that Russian stage director Dmitri Tcherniakov accepted for the Palais Garnier in Paris in March 2016 : a revolutionary production, which was to become one of the key events of the Paris Opera season.

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Jerome Robbins considered the Paris Opera Ballet as his second home after the New York City Ballet. This production in his honour brings together works displaying the infinite diversity of his sources of inspiration and his genius on stage. Be it in the energy of the large-scale Glass Pieces or the intimate sweetness of Afternoon of a Faun and A Suite of Dances, there emerges that rare capacity to make bodies follow the flow in a living comprehension of music. As the celebrated ballet Fancy Free, a veritable theatrical portrait of an era, enters the repertoire, Robbins reveals another facet of his talent.

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