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poster
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70
/1/
60
/1/

Gegen das Schweigen - Machtmissbrauch bei Theater und Film (2024)
Insults, humiliation, violence, sexual assault - the world behind the camera and the scenes can be a nightmare for many theater and film professionals. Apparently there is a real climate of fear in some film and theater productions. Some directors, but also well-known actors, apparently abuse their power and treat those around them on set or on stage with contempt or even abuse. Individual cases have been known for years, including under #metoo. But are they really isolated cases? Or can directors and actors allow themselves anything because the system allows it? In their three-year research, the documentary filmmakers spoke to more than 200 film and theater professionals about the problems in their industry. How much responsibility do the alleged perpetrators bear for abuse of power and how much responsibility does the financiers, production companies, broadcasters and also the audience bear?
poster
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6.9
/77/
70
/4/

Der Mann im Keller (2008)
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10
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Je Suis Auto (2024)
An ill-tempered middle-management mafioso is set on delivering a suitcase full of money. Little does he know that taking an ontologically challenged self-driving taxi puts them on a collision course with fate-and a badly dressed pirate.
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3.6
/71/
70
/1/
40
/3/

Portae Infernales (2019)
Three directors open their personal gates to hell and let us glimpse into the abyss of the human soul.
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Alive Inside (2024)
Three human subjects are trapped in an endless cycle in a sterile room. They wake up from ecstasy chambers, undergo tests, and return to unconsciousness. PM001, driven by pain, begins to question the system and fights to free the others. However, her actions come at a deadly price, and every step has dire consequences.
poster
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No Mother (2021)
At 11 weeks pregnant Gloria suffers a miscarriage. Soon she feels the pressure to move on as if nothing has happened. When she is denied seeing herself as a mother she finds the courage to step up for herself and her unborn baby.
poster
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Abjective (2017)
"On the edge of non-existence and hallucination, of a reality that, if I acknowledge it, annihilates me. There, abject and abjection are my safeguards." Julia Kristeva.


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