mdblist.com logo The Best Mihai Berechet Movies. Go to The Best Shows


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poster
?
4.9
/19/
10
/1/
50
/2/

Surorile (1984)
Three sisters that had a tranquil life in a town suffer dramatic life changes at the end of WW2.
poster
?
4.9
/32/
60
/3/

Comoara (1983)
A local Romanian chieftain in 16th century Transylvania discovers a great treasure of Decebalus. He decides to send it for safekeeping in Moldavia, but he has to evade the Transylvanian prince and the king of Hungary, who get wind of it and want it for themselves.
poster
?
7.1
/23/
10
/1/
75
/2/

Împușcături pe portativ (1968)
In this cinematographic variety show, the strong point is the ballet: inventive, original, modern, pleasant, filmed with a great power of suggestion by the cinematographer Alexandru Întorsureanu, using superimpositions to enhance the movement.
poster
?
10
/1/
60
/1/

Runda 6 (1965)
N/A
poster
?
7.3
/42/
10
/1/
73
/3/

Calea Victoriei sau cheia visurilor (1966)
Attorney Constantin Lipan (Geo Barton) is tasked to investigate the case of an oil magnate, Iordan Hagi-Iordan (George Calboreanu). This will put pressure on his superiors to drop the case. Based on "Calea Victoriei" novel by Cezar Petrescu.
poster
?
6.9
/40/
10
/1/
77
/3/

Golgotha (1966)
Six widows demand compensation for the death of their husbands, who were killed during a worker's strike. The women are arrested and taken to the police quarters, where the authorities try to make them retract their statements, but it turns out they're not so easily intimidated.
poster
?
6.8
/9/
10
/1/

Cerul n-are gratii (1963)
N/A
poster
64
?
7.3
/145/
54
/5/
66
/5/

The Thistles of The Bărăgan (1957)
Rumania's entry in the 1958 Cannes Film Festival was the excessively melodramatic Ciulinii Bărăganului. The title translates as Fools of Bărăgan, in reference to a band of beleaguered feudal Rumanian peasants. But these are no fools: instead, they are fearless freedom fighters, organizing a brave (though foredoomed) revolt against the tyranny of the landowners. The parallels drawn between the people of Bărăgan and Russia's revolutionary leaders are all but impossible to miss. It would have been nice, however, if the story had not been told in such a heavy-handed, spell-it-all-out fashion.


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