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poster

?

4.8

/58/

40

/5/

40

/2/

A wealthy middle-aged man at the airport witnesses a tiny incident involving an unknown, perhaps Arab, young man and airport staff. After the young man is confronted directly at the airport toilets, he feels himself subject to an indefinable but increasingly serious sense of danger. The fear of the evil that had, as it were, encircled the man since then, gradually becomes an obsession. The urgent desire to see the evil, to confront it and destroy it.

poster

?

7.7

/20/

80

/1/

Viktor Preiss in the role of Father Toufar in a fictional reconstruction of the background to the so-called Čihošť miracle.

?

10

/1/

N/A

?

5.8

/10/

10

/1/

The opening image that begins the suspenseful story is marked by a tragic event: an eight-year-old girl is brutally murdered in the forest and the dog that accompanied her is shot. The crime sets in motion an extensive search operation. Time is running out for the murderer, and the detectives have many years of experience and knowledge of local conditions on their side. According to the law of a good detective story, the circle of possible perpetrators is wide. Everyone from the neighborhood of little Stán is a suspect, because the results of the investigation showed that the girl knew her murderer...

poster

?

5.9

/46/

10

/1/

65

/2/

In the film, the creative forces of personalities from three spheres of art collide. The subtitle "The Game of Love and Hate" refers to the motivation of an old Czech medieval satire, the theme belongs to Antonín Přidal, an expert on this subject. His collaboration with Juraj Herz created a collage of past and present, an updated, sharp satire and a parable about the clash of human qualities that could not but end up in the vault. The music of the Prague Selection - Michael Kocáb and Michal Pavlíček - also contributed to the film's offensive provocativeness - the film was one of the reasons for their complete move to the underground. The dancing chorus of medieval citizens resembles more of a jumble of long-haired maniacs, the edge of a contemporary dump intrudes into the space of a medieval marketplace, and the characters oscillate between the past and the present, whether in their appearance, symbolism or behaviour.

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