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The Best Wim Wenders Movies. Go to The Best Shows

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poster

85

8.4

/25138/

81

/711/

81

/660/

4.3

/32473/

94

/95/

90

/118/

83

/29/

3.5

During the last forty years, the photographer Sebastião Salgado has been travelling through the continents, in the footsteps of an ever-changing humanity. He has witnessed the major events of our recent history: international conflicts, starvations and exodus… He is now embarking on the discovery of pristine territories, of the wild fauna and flora, of grandiose landscapes: a huge photographic project which is a tribute to the planet's beauty. Salgado's life and work are revealed to us by his son, Juliano, who went with him during his last journeys, and by Wim Wenders, a photographer himself.

poster

77

7.4

/1462/

71

/38/

68

/45/

3.8

/3019/

89

/27/

77

/17/

75

/11/

3.5

An impressionistic portrait of the iconic actor Harry Dean Stanton comprised of intimate moments, film clips from some of his 250 films and his renditions of American folk songs.

poster

69

7.1

/888/

68

/35/

76

/13/

3.4

/2609/

83

70

/8/

2.0

With exclusive behind-the-scenes access into Herzog’s everyday life, rare archive material and in-depth interviews with celebrated collaborators – including Christian Bale, Nicole Kidman, and Robert Pattinson, we are given an exciting glimpse into the work and personal life of the iconic artist.

poster

74

60

7.1

/3782/

70

/39/

67

/41/

3.7

/3600/

86

/7/

77

/32/

Ten Minutes Older is a 2002 film project consisting of two compilation feature films entitled The Trumpet and The Cello. The project was conceived by the producer Nicolas McClintock as a reflection on the theme of time at the turn of the Millennium. Fifteen celebrated film-makers were invited to create their own vision of what time means in ten minutes of film.

poster

50

49

5.7

/23170/

61

/346/

58

/365/

3.0

/6285/

25

/44/

67

/422/

25

/15/

age 16+

A federal agent searches for a potential killer among the bizarre residents of a dilapidated Los Angeles hotel.

poster

67

45

6.6

/1723/

65

/24/

66

/30/

3.6

/2375/

67

/9/

70

/20/

Director 'Nicholas Ray' is eager to complete a final film before his imminent death from cancer. Wim Wenders is working on his own film Hammett (1983) in Hollywood, but flies to New York to help Ray realize his final wish. Ray's original intent is to make a fiction film about a dying painter who sails to China to find a cure for his disease. He and Wenders discuss this idea, but it is obviously unrealistic given Ray's state of health.

poster

70

44

6.4

/1255/

68

/21/

64

/16/

3.8

/4384/

80

/5/

71

/27/

Wim Wenders talks with Japanese fashion designer Yohji Yamamoto about the creative process and ponders the relationship between cities, identity and the cinema in the digital age.

poster

63

41

6.6

/1902/

65

/43/

65

/55/

3.5

/7387/

53

/16/

During the 1982 Cannes Film Festival, Wim Wenders asked a number of global film directors to, one at a time, go into a hotel room, turn on the camera, and answer a simple question: "What is the future of cinema?"

poster

36

4.6

/3882/

49

/214/

51

/92/

2.3

/4288/

23

/30/

38

/3/

28

/13/

0.5

age 15+

A young actor arrives in Hollywood in 1969 during a transitional time in the Industry.

poster

84

35

7.9

/392/

81

/9/

75

/12/

3.9

/874/

100

/11/

92

/11/

From myth to legend Rowland Howard appeared on the early Melbourne punk scene like a phantom out of Kafkaesque Prague or Bram Stoker’s Dracula. A beautifully gaunt and gothic aristocrat, the unique distinctive fury of his guitar style shot him directly into the imagination of a generation. He was impeccable, the austerity of his artistry embodied in his finely wrought form, his obscure tastes and his intelligently wry wit. He radiated a searing personal integrity that never seemed to tarnish. Despite the trials and tribulations of his career, in an age of makeover and reinvention, Rowland Howard never ‘sold out’. With recent and moving interviews, archival interviews and other fascinating and original footage, AUTOLUMINESCENT traces the life of Rowland S Howard. Capturing moments with the man himself and intimate missives from those who knew him behind closed doors; words and images etch light into what has always been the mysterious dark.

poster

73

32

7.0

/349/

68

/9/

66

/12/

3.5

/630/

90

/21/

93

/7/

57

/4/

Friends and admirers of iconoclastic film director Sam Fuller read from his memoirs in this unconventional documentary directed by Fuller's only child, Samantha.

poster

67

28

6.7

/356/

68

/20/

70

/11/

3.5

/803/

70

/10/

64

/1/

61

/5/

A documentary chronicling the filmmaking career of Dennis Hopper.

poster

81

27

7.8

/324/

77

/17/

81

/8/

3.7

/903/

92

/13/

85

/1/

Why are we still able, today, to view images that were captured over 125 years ago? As we enter the digital age, audiovisual heritage seems to be a sure and obvious fact. However, much of cinema and our filmed history has been lost forever. Archivists, technicians and filmmakers from different parts of the world explain what audiovisual preservation is and why it is necessary. The documentary is a tribute to all these professionals and their important work.

poster

57

26

7.7

/715/

75

/32/

69

/20/

3.7

/1813/

11

/64/

37

/13/

Nineteen people with differing degrees of visual impairment – from mild nearsightedness to total blindness – discuss how they see themselves, how they see others and how they perceive the world. Unusual images, of burning trees or empty deserts, link the interviews, which vary from deep to funny to poetic.

poster

72

25

6.8

/746/

78

/12/

76

/18/

3.3

/1107/

A 30 years odyssey: the world's most intriguing artists and thinkers from the fields of visual art, music, filmmaking, acting, literature, philosophy, politics, business and science, are asked the same question: "Why are you creative?"

poster

63

18

6.9

/728/

64

/11/

58

/15/

3.6

/1045/

53

/3/

A rare gem of cinematic storytelling that weaves docudrama, fictional reenactment, and experimental photography into a powerful, reflective work on the early days of German cinema. The film tells the story of the Skladanowsky Brothers, the German-born duo responsible for inventing the "bioskop", an early version of the film projector.

poster

62

13

6.2

/154/

67

/7/

56

/7/

3.2

/1010/

In 1982, Wim Wenders asked 16 of his fellow directors to speak on the future of cinema, resulting in the film Room 666. Now, 40 years later, in Cannes, director Lubna Playoust asks Wim Wenders himself and a new generation of filmmakers (James Gray, Rebecca Zlotowski, Claire Denis, Olivier Assayas, Nadav Lapid, Asghar Farhadi, Alice Rohrwacher and more) the same question: “is cinema a language about to get lost, an art about to die?”

poster

58

10

5.8

/230/

51

/7/

64

/11/

3.0

/383/

In a dystopian 2054, three young rebels go on a journey to find traces of the long lost beauty of nature, hoping to discover what happened to their planet.

poster

60

9

5.8

/206/

60

/2/

62

/14/

60

/3/

A bio-doc about Micheline Presle changes into a thrilling investigation of the long hidden truth about European cinema. This mockumentary thriller uncovers Hollywood's unsuspected plot against the European motion picture industry. Numerous directors and stars appear in the film, making it a choice morsel for all film lovers.

poster

?

6.7

/12/

80

/1/

N/A

poster

?

6.3

/17/

80

/1/

At 80 years old, German director and photographer Wim Wenders talks about his unwavering joy in creating and telling stories. From "Paris, Texas" to "Perfect Days" and "Wings of Desire," this is a tender and luminous portrait of the most European of filmmakers.

poster

?

6.3

/8/

Godard to come to the University California, San Diego to give a lecture. He stayed at our house at the beach. Some filmmakers and creatives came to visit him. They all stayed at our house on the beach. Guests were Heiner Müller, Wim Wenders, Martin Milner, Jim Mc Bride, Tom Luddy and other.

poster

65

?

6.1

/28/

3.5

/283/

To mark the 80th anniversary of the end of the Second World War, Wim Wenders shot a short film that takes us to the most secret place in Europe at that time: a map room in a school in Reims, France, which served as a war room for the Allies. On May 7, 1945, Nazi Germany surrendered there and the world war ended.

poster

70

?

7.5

/39/

63

/3/

70

/2/

3.6

/254/

A 1993 portrait of rock singer and poet Nick Cave, a versatile artist who gained importance over the years. Jacobson also wrote the scenario that was built around a long conversation with the singer. From Australia and his work with the Birthday Party to his current city, Berlin, with The Bad Seeds.

poster

?

8.2

/25/

Unveiling Yasujiro Ozu’s legacy through his personal diaries, letters, and interviews, the documentary delves into his life, creative process, and lasting impact on filmmaking.

poster

?

100

/2/

N/A

poster

?

6.0

/110/

Against the backdrop of the 1977 Edinburgh Film Festival, two low-budget filmmakers attempt to talk up some finance as they hunt for cash, cast and ‘name director’ Sam Fuller to shoot their Aberdeen-set oil-boom adventure ‘Gulf and Western’. Along the way, they encounter a plethora of filmmaking luminaries including Wim Wenders, Stephen Frears, John Boorman, Bill Forsyth and Alan Bennett.

poster

?

6.5

/78/

10

/1/

A behind-the-scenes look by wife Enrica Antonioni into Michelangelo Antonioni's passion for cinema as he directs Beyond the Clouds (1995), assisted by filmmaker Wim Wenders.

poster

?

25

/2/

In 1983 Dennis Hopper went to Rice University in Houston, Texas ostensibly to screen his latest film Out Of The Blue. But little known to anyone, other than Hopper and a handful of his buddies, he had another agenda entirely. While he did indeed screen his movie, Hopper had actually come to Houston to blow himself up. After screening his movie Out Of The Blue, Hopper arranged to have the audience driven by a fleet of school buses to a racetrack on the outskirts of Houston, the Big H Speedway. Hopper and the buses arrived at the speedway just as the races were ending and a voice was announcing over the public address system 'stick around folks and watch a famous Hollywood film personality perform the Russian Dynamite Death Chair Act. That’s right, folks, he’ll sit in a chair with six sticks of dynamite and light the fuse. 'The large guy making the sign of the cross is the writer Terry Southern and the jerk threatening to blow up my camera is the German filmmaker, Wim Wenders.'

poster

?

7.2

/31/

46

/3/

Documentary feature about German actor Heinz Rühmann made shortly before his death in 1994.

poster

?

6.4

/9/

35

/2/

What makes European cinema so special? Find out in Paul Joyce’s feature-length documentary, Pictures of Europe, which examines the differences between American independent and Hollywood movies and films from European directors. Featuring luminary iconoclasts from European cinema such as Agnes Varda, Bernardo Bertolucci and Pedro Almodovar, as well as American counterpoints from Paul Schrader, and those who have crossed back and forth, such as Paul Verhoeven

poster

65

?

6.4

/92/

70

/2/

62

/5/

3.2

/240/

Looks at the glamour, red carpets, movies, craziness, stunts, deals, parties and personalities that have been part of the Cannes Film Festival over eight decades, as well as looking to the future.

?

4.1

/12/

A young Argentinean janitor, a famous German director, a song by Carlos Gardel, the streets of Berlin and a never-ending film on an old Steenbeck.

?

6.1

/24/

10

/1/

N/A

?

5.0

/213/

Jose is a young working-class man. Yet he finds himself buying a million dollar engagement ring from the town's finest jeweler. On leaving the store he is abducted and wakes up bound and gagged in a dark room. Next thing he knows, a cop interrogates him about money laundring, sticks a gun in his hands and makes Jose aim the gun at him.

?

7.2

/9/

10

/1/

N/A

poster

?

7.3

/36/

50

/2/

95

/2/

More than 150 silent short films about singers, actors and directors captured during Press Conferences in Cannes, Venice and Berlin, between 1993 and 2002. Presented the first time in 2012 (ten years after the last shooting) in Napoli Film Festival and in 2013 at the Art Institute of California in Santa Ana. An anthropological experiment on the facial expressions of famous people showing the human being aspect. All original footage from Mel Gibson to Peter Jackson, from George Lucas to Catherine Deneuve, from Michael Douglas to Giancarlo Giannini and many others.

?

10

/1/

The heart of the legs.

poster

?

6.4

/12/

N/A

poster

?

7.6

/87/

60

/1/

In 1968, musician Irmin Schmidt and friends founded the avant-garde band "Can", which achieved worldwide fame. Schmidt also made a name for himself as a composer for films by Wim Wenders. In this documentary, the charismatic sound tinkerer looks back on his life and career.

?

5.7

/12/

10

/1/

An aspiring documentary filmmaker named Simon Rosenthal tries to get some attention for his film about skinheads versus Turkish immigrants. However, as a Jewish man in today's Germany, his fears for the future prompt him to move to the moon.

poster

?

6.6

/10/

40

/4/

55

/2/

History flows, the darkness wets our clothes. Inspired by the poem “Avevamo studiato per l’aldilà” by Nobel laureate Eugenio Montale, the film condenses iconic images of Italy’s political history into a narrative about this life and the hereafter.

?

7.2

/9/

10

/1/

“It may be worse than Portugal,” observes cinematographer Henri Alekan about a Los Angeles film lab while on the set of Wim Wenders’ The State of Things (1984). A legendary production and a transitional work for the New German Cinema director as his work became increasingly international, Wenders set out to make a film about filmmaking as funding stalled on the American production of Hammett. The State of Things deals with American and European sensibilities about cinema, and he enlisted Lachman to film and document the film being made in Los Angeles. Made for German television, completed in 1985 and unseen outside of Germany, Lachman’s portrait of Wenders at work features striking filmmaking and location photography of Los Angeles in the 1980s, and serves as a candid glimpse into European encounters with American culture at the time.

poster

?

7.6

/49/

100

/1/

From the 1950s onwards, Erika and Ulrich Gregor brought countless film historical milestones to Berlin and shaped cinema discourse in post-war Germany. A look at the life and work of the couple without whom Arsenal and the Forum wouldn’t exist.

poster

72

?

7.2

/67/

80

/1/

64

/11/

A fascinating journey through the life of Israeli artist Dani Karavan, an irreverent and charismatic creator, recognized worldwide for radically transforming public space with his monumental environmental installations.

poster

62

?

7.5

/113/

50

/2/

We are taken though the principal milestones of Hopper's biography, including his debut start in Hollywood, the meeting with James Dean and the influence he played upon him, his insubordination on sets and conflicts with the Hollywood directors which led to his black-listing, the years in New, the making of 'Easy Rider' (with an interesting connection of the ultimate road movie with the French new wave directors), 'Apocalypse Now', 'Blue Velvet', 'Colors', his fight with dependency on drugs and alcohol. We come to know Hopper as a complex artist, a valuable photographer who had always a camera on him and whose portraits or American life shots figure among the best in the genre, but also a rebel painter (who may still be rediscovered and become famous in posterity) and exquisite art collector.

poster

?

6.9

/35/

30

/2/

Berlin Film Fest 1984. The best place for every cinema fan. Everyone wants to be in on the festival, but that may be really difficult, if one has no accreditation. Also Journalist Matthies gets to know the rules of being in or out when he wants to see a screening and is not welcome. Thus he watches an old German silent flick which he is barely interested in. The next day the newspapers are full of reports about a newly discovered German masterpiece from the silent era. It seems that Matthies had luck. He just saw *the* film everybody is talking about now. Also everybody is speculating about its director, who remains unknown. When Matthies talks to Ackrewa, an old befriended projectionist, about the film, the latter seems to recall the name of the director. Matthies decides to research the case. An odyssey into film-history begins and if it is successful Matthies will come up with a top story.

poster

?

6.0

/31/

80

/1/

60

/1/

In this second installment of his exploration of creativity, Hermann Vaske looks for factors that inhibit it. He asks artists, activists, and thinkers about things that kill their creativity.

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