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poster
?
7.0
/8/

Watan (1938)
Ostensibly a Central Asian war fantasy about a conflict between the Cossacks and the Tartars, Mehboob’s film proposes a tale advocating national independence. The Cossacks are oppressed by the despotic Russian king (Siddiqui) and his minister Jabir (Kayamali), who has Tartar blood in him. General Murad (Kumar) covertly sides with the opposition, gets arrested for treason and escapes. He meets the wild Gulnar (Sitara Devi) and gets her to spy as a maid of Princess Nigar (Bibbo). Nigar falls for Murad and Gulnar withdraws from the scene for the sake of her nation. Eventually Nigar, at the head of an army of women, helps defeat the villains.
poster
?
8.1
/16/
10
/1/

Umar Marvi (1956)
King of Umarkot, is looking for a bride but finds none to his liking. Phog mentions the unmatchable beauty of Marvi. Umar decides to check out Marvi for himself and immediately falls under her spell.
poster
?
10
/1/
100
/1/

Khaibar Mail (1960)
N/A
poster
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4.0
/13/
10
/1/

Madman (1964)
An invisible maniac kills women who have birthmarks on their face while leaving the police clueless.
poster
?
8.0
/15/
30
/2/
50
/1/

Baji (1963)
A hit Pakistani musical starring Nayyar Sultana in the title role.
poster
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10
/1/

Aladdin Ka Beta (1960)
Film starring Neelo and Rattan Kumar.
poster
?
7.5
/12/
10
/1/
100
/1/

Saheli (1960)
A story about two women, who shared their husband.
poster
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10
/1/
100
/1/

Raaz (1959)
N/A
poster
?
7.0
/14/

300 Days and After (1938)
Young, bored millionaire (Motilal) has a bet with his doctor that he will go out into the world without taking any money and survive for 300 days.
poster
?
8.5
/12/

The Mill (1934)
A realistic treatment of industrial working-class conditions in a Bombay textile mill.
poster
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7.2
/73/
10
/1/

Armaan (1966)
Najma, a destitute but caring young woman, lives with her aunt and cousins in Murree. Her life slowly spirals out of control with the arrival of a rebellious young man from Karachi.
poster
?
7.8
/15/
10
/1/
100
/1/

Zehr E Ishq (1958)
N/A
poster
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10
/1/
70
/3/

Daku Ki Larki (1960)
N/A
poster
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Akela (1941)
A blacksmith named Budhwa, who is "too ugly to get a life-mate," is set to marry a woman named Maina. However, Maina is secretly in love with another man and has to make a difficult decision on her wedding night. The film follows the chain of events that unfold after this choice, as Budhwa and Maina's lives become intertwined in unexpected ways.
poster
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Sneha Bandhan (1940)
Snehalata’s life takes a dramatic turn when love, duty, and circumstance pull her between a poor orphan she once cared for and the wealthy man she marries. Her journey weaves through sacrifice, suspicion, separation, and an unexpected rise to fame, as the ties of love and family are tested across years of hardship and change.
poster
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Gramophone Singer (1938)
Thakur’s music-dominated debut tells of a love triangle involving the famous gramophone singer Sundardas (Surendra) who is happily married to Mohini (Prabha), and the even more popular singer Tilottama (Bibbo), who falls in love with Sundardas’s voice and wants them to sing a duet and have an affair. Ghosh Babu (Advani) is the manager of the record label.
poster
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Jagirdar (1937)
The follow-up to Manmohan (1936) again starred Surendra and Bibbo. She is Neela, he plays Jagirdar Surendra. They secretly marry and have a child. When Jagirdar is presumed dead in a shipwreck, the child is considered illegitimate. The poor peasant Shripat (Pande) helps Neela by marrying her and raising her son Ramesh (Motilal). The husband eventually returns and violently quarrels with Shripat about who ‘owns’ Neela. When the villain Banwarilal kills Shripat, the husband is framed for the killing. The real problem, however, is the son’s rejection of his father, solved when together they face the gangsters in Narayanlal’s (Yakub) den.
poster
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Manmohan (1936)
A social woman-centered film interrogating aspects of feudal patriarchy. The painter Ashok (Surendra) who loves the orphaned Vimala (Bibbo) is distressed to learn that she is due to marry Jagdish (Yakub). He paints Vimala's portraits with a frenzied obsession and becomes a famous artist. Paralleling this love story is the decline in Ashok's family fortunes.
poster
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Bade Nawab Saheb (1944)
A Muslim social film that explored themes of aristocracy, family dynamics, and societal norms within a Muslim community, focusing on the life and challenges of a "Great Nawab" (Bade Nawab Saheb


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