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6.0
/9/

Parinde (1945)
In the midst of war, teacher Ashok falls for Shyama, but their love is tested when he joins the air force and faces a cunning love rival and wartime profiteers. As misunderstandings and deceptions mount, can their love survive the chaos of war and betrayal?
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7.0
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60
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60
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Zeenat (1945)
A disgraced widow is forced to work as a maid for her fatherless child.
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7.0
/9/

Pehle Aap (1944)
Prestige. An Indian film.
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7.6
/15/

Jail Yatra (1947)
Jail Yatra is an Indian Hindi-language drama film released in 1947. It was directed by Gajanan Jagirdar.
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4.8
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40
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10
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Billy Boy (2021)
In an era marked by the reign of fluid relationships, through apps and blind dates, Alejo seeks to fill his sentimental void by constantly changing sex partners.
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Bachpan (1945)
Madhu and Bihari, two children from contrasting social backgrounds develops a deep friendship despite societal class divisions. Their innocent bond faces challenges and disapproval from elders as it evolves into love. Can their bond survive the harsh judgments of a class-conscious world and the trials of growing up?
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Veer Babruwahan (1934)
In this mythological tale, Babruwahan, son of Arjuna, returns from the Mahabharata war. He defiantly stops a horse from his father's army, leading to a battle in which he beheads Arjuna. As he prepares to commit suicide, Krishna appears, instructing him to retrieve the magical Sanjivani Mani from the land of the serpents to revive his father. This quest pits him against Ullupi, the serpent king's daughter and a former wife of Arjuna. When she surrenders the Mani but takes Arjuna's head instead, Krishna is forced to intervene to resolve the situation.
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The Kick (1939)
A cautionary tale about wealth not bringing happiness. The blind Mohan (Kumar) lives in a village with his ward Radha (Madhuri). He wins a fortune with a sweepstake ticket sold to him by the tramp Ramesh (Charlie), who claims his due and begins to take over Mohan’s life, making him move to the city and getting him married to Chinta, a prostitute. When Mohan’s eyesight is restored, he finds that his wife is having an affair with Ramesh. Mohan takes revenge and eventually lands up in his old village, a poor man, but with Radha still unchanged, waiting for him.
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Sitamgarh (1934)
The tyrannical Jabbar attacks a village and kidnaps the son of the devout Sayyed, named Iqbal. Raised by his captor, Iqbal becomes a tyrannical commander in Jabbar's army, forcing people to accept Jabbar as their god. During a campaign, he meets a group of "true" religious believers led by Sadiq, his daughter Sadika, and Princess Hamida. Hamida falls in love with Iqbal, much to the dismay of her suitor, Shaddad. As the plot unfolds, Iqbal learns of his true ancestry and is faced with a profound choice.
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Gunsundari (1934)
Gunsundari, the dutiful wife, acts as savior for her troubled joint family. Her father-in-law Shyamaldas battles alcoholism and accusations, while her husband Chandrakant falls prey to villains and a prostitute, losing his property. Gunsundari also aids her sister-in-law Sushila through marital woes, facing personal trouble due to a secret. Destitute, she eventually reunites with a similarly down-on-his-luck Chandrakant on the streets. A coincidence ultimately reveals Shyamaldas left his property to his estranged son, leading to a happy ending.
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Sipahi Ki Sajni (1936)
Gohar-centered adventure movie. She is the ruthless Princess Hansa determined to acquire a treasure map from rival King Sujansingh (Bawa). She daringly steals the map but the king's misogynist son, Dilipsingh (Bilimoria), manages to get it back. Together they are caught by the outlaw Vijay (Ishwarlal) who also wants the treasure. The film was replete with sword fights, tribal magic and a horse battle at the end when Sujansingh attacks his former friend Vijay to find his imprisoned son.
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Keemti Aansoo (1935)
A tearful melodrama about a progressive writer, Pushpa (Gohar), and her weak husband, Kulin (Billimoria). She has to fight her domineering mother-in-law and the tyrannies of a conservative household. When falsely accused of theft and infidelity by her wayward sister-in-law Gulab, Pushpa is forced out of the house. In her final state of penury, she recalls the examples of the great female Saint-Poets of Indian history, like Meerabai. Secondary characters are used to caricature Bombay's merchant class e.g. Mahatma Ramanand Adambar, a fortune-teller who suspects his wife of infidelity, and a gold collector called Prof. Pyarelal.
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Desh Dasi (1935)
A jaded socialite, Vinakumari, and her lover, Dr. Rasik, discover purpose at a Gandhian ashram. Vinakumari dedicates herself to the poor as the ashram battles challenges from urban temptation to famine and greedy landlords. Dr. Rasik eventually joins the cause, bringing much-needed medical aid to the struggling community.
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Barrister's Wife (1935)
Lily and Vasant's suicide pact is thwarted, leading to Lily's forced marriage. She cares for an invalid Vasant, causing her husband to disown her and ban her from their daughter, Indu. Years later, their paths collide. Lily, now a servant, meets Vasant again, who is painting her lawyer daughter, Indu. Their renewed death pact leads to Vasant's death and Lily's arrest. In a dramatic trial, Indu defends Lily, facing her boyfriend (the prosecutor) and her father (the judge).
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Dil Ki Baat (1944)
A romantic drama or a social film exploring themes of love, emotional expression, hidden feelings, or personal desires and the conflicts or joys that arise from them
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Sajni (1940)
Nanda, a money lender's son, falls for farmer's daughter Rupa. His father arranges his marriage to Radha for a dowry. Rupa sacrifices her love and blesses Nanda's marriage to Radha.
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India Today (1940)
The story of two brothers, Dhiraj and Shashi, and their rivalry. The cunning Dhiraj mortgages their ancestral property, causing complications for his innocent brother Shashi and their family. The plot also explores the contrast between rural (Unmad village) and city life, as both brothers originate from Calcutta.
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Krishna Sudama (1933)
A mythological tale tells the cherished tale of Lord Krishna, the divine king of Dwarka, and his impoverished childhood friend, Sudama. Despite their vastly different lives, their pure bond of friendship endures. The story portrays Sudama's reluctant visit to Dwarka and Krishna's miraculous, selfless blessing upon his devoted friend.
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Chandni (1942)
Two identical women, city-bred Chandni and village teacher Devi, swap clothes on a train, leading to their husbands mistakenly taking home the wrong wife. As chaotic domestic lives unfold, their interwoven fates unravel through illness, mistaken affections, and a final public revelation of their switched identities.
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Holi (1940)
The evil Chand (Motilal) and his rich father Mangaldas (Date) persecute the nice Sunder (Ishwarlal): he kidnaps Sunder's sister Kokila (Khursheed) and frames him for theft. Sunder is jailed. The abducted Kokila succumbs to the villain's charms and her love reforms him. When released, Sunder, unaware of the fact that his enemy has reformed, seeks revenge on the very day that Chand and Kokila are to marry.
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Bhutio Mahal (1932)
This horror spoof was the first film in which the future comedy duo Dixit and Ghory appeared together. They were often referred to as the Indian Laurel and Hardy.
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The Untouchable (1940)
Laxmi, an "untouchable" woman fights for her community's rights against societal discrimination. She faces personal hardship and resistance from authorities, ultimately leading a movement for equality and temple access, while advocating for deeper societal change.


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