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CENTRE (2014)
Measured viewpoints positioned on concentric circles dissect and engage the movement of a solo performer in an abandoned mill. The perspective of both movement and place collide.
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Arch (2021)
A solo performer (Vail) dances free of societal restraints. Fluid sequences of movement are situated in a non-hierarchical, undetermined space. Transcending time, place and individuality, the film constructs a world of multiple positions and perspectives.
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I, Apostate (2018)
A fantasia of post-indoctrination, immigration, and iconography. A pageant of wanderers and searchers: Mormon missionaries, a pioneer, polygamists, scouts, hunters, church-goers, and an aspiring prophet walk and walk and walk. A pilgrimage of memory, history, ancestry, and place.


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