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Premiered in 1787, “Don Giovanni” exposes the timeless theme of a man hovering between vitality and destruction. Neither morality nor the law can stop this serial lover in his quest to conquer all women as he places his own pleasure above all other principles. Today, the rich depth of Mozart’s masterpiece still astonishes audiences with its mix of comedy and seriousness, pleasure and love, entertainment and murder. At the helm of this new Salzburg Festival production, in a near-live broadcast from the Great Festival Hall, director Romeo Castellucci promises to focus on the ambiguity and inner turmoil of this serial lover whose immoral behaviour condemns him to a deadly solitude. The exceptional cast – featuring Italian baritone Davide Luciano (Don Giovanni), Russian soprano Nadezhda Pavlova (Donna Anna) and Finnish bass Mika Kares (the Commendatore) – is accompanied by the chorus and musicians of the musicAeterna ensemble, conducted by Vitaly Polonsky and Teodor Currentzis.

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The Vienna State Opera is staging Otto Schenk's production of Gaetano Donizetti's "L'elisir d'amore" (The Elixir of Love), which combines humor and drama with a happy ending. Maria Nazarova sings the role of Adina and Bogdan Volkov sings the role of Nemorino. Already extremely popular during Donizetti's lifetime, this opera buffa tells the story of the young farmer Nemorino, who is in love with the wealthy landowner Adina. With the help of a love potion from the charlatan Doctor Dulcamara, he hopes to win her heart.

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A passionate count enlists a local barber and jack-of-all-trades to help him woo and wed a quick-witted woman. But it will take all their cunning - as well as some disguises and bribes - to ensure love wins the day. This production of Rossini’s comic masterpiece revives and stylises a historic staging from 1997 on the occasion of the 200th anniversary of the opera’s premiere. Directed by José Luis Castro, the magnificent scenography by painters Carmen Laffon and Juan Suárez depicting Rossini’s romantic vision of the Andalusian capital in Seville itself.

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In the cold of winter, an exuberant poet lives in poverty with his three bohemian flatmates. His heart is warmed when he falls in love with his fragile neighbour, but then her illness takes a turn for the worse. In Opéra de Monte Carlo's production of Puccini’s beloved opera, set in Paris to the interwar period, the artists’ misery looks more like a chosen lifestyle than a suffered fate. Jean-Louis Grinda’s sumptuous staging reflects on Puccini’s romantic glorification of the precariousness of the human condition.

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