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“Then enjoy the sun, if it is a sunny day. Enjoy the moon, if there is a moon. There is life even in death, also for you.” Rather than an orchestral overture, it is these sinister words sung by a male chorus that set the macabre tone of Umberto Giordano’s opera. After its premiere at Milan’s La Scala in 1903, the work was performed only a handful of times and remained relatively unknown until the end of the 20th century. In three heart-rending acts named “The Woman,” “The Lover,” and “The Heroine,” a poignant tale unfolds on the Florentine stage: the prince’s mistress Stephana falls in love with lieutenant Vassili and follows him to a labor camp where her plan to escape with her beloved leads to her own tragic fate…

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At death’s door, a beloved king is doomed unless someone takes his place. So then his wife resolves to sacrifice herself to save him. Christoph Willibald Gluck composed his reform opera Alceste not once, but twice. In La Fenice’s production of the lesser-known original Italian version, director Pier Luigi Pizzi strips the action down to the bare emotional drama of Alceste’s sacrifice.

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Under the baton of the excellent conductor Guillaume Tourniaire, Gluck’s most original tragedy comes to Venice’s most celebrated theater in a production by Pier Luigi Pizzi. After successive triumphs in the Viennese scene of the 1760s, over the course of the 1770s Gluck met with a new series of successes in France. Aiming to establish himself in the French musical scene as a genius of musical storytelling, he took the challenge head on, appropriating selected Lullian librettos from the previous century to his own dramatic ends. He did just this with Alceste, one of Quinault’s most acclaimed texts, setting it to his own music. This production of the tragic three-act opera stars Marlin Miller (Admeto) and Carmela Remigio (Alceste) in the roles of the self-sacrificing royal couple.

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Juan Diego Flórez takes on the lead role in this performance of Rossini's opera at the 2012 Pesaro Festival. Corradino (Flórez), a paranoid, misogynistic lord, is in the care of Aliprando (Nicola Alaimo), a doctor who is concerned that the poor spirits of his employer will damage his health. He duly attempts to make Corradino fall in love with the beautiful and self-willed Matilde (Olga Peretyatko). Will the plan succeed?

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