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The Best Pretty Yende Movies. Go to The Best Shows

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poster

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70

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70

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The composer's opera buffa transcends the spirit of Beaumarchais’ comedy and combines the absurd with a touch of satirical realism in a score where rhythm and virtuosity place the comic effects in an ongoing dramatic narration. As a result, the characters – Rosina in particular – gain a new degree of realism and break with the usual archetypes. Damiano Michieletto’s giddying production embraces this perpetual motion and carries in its wake the happy couple formed by Lawrence Brownlee and Pretty Yende.

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10

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The Florentine sculptor and silversmith Benvenuto Cellini rapidly attained a degree of renown that went beyond the confines of Italy. Invariably embroiled in conspiracies, intrigues and quarrels, Cellini is commissioned by the Pope to cast a large sculpture of Perseus. He is loved by Teresa, but she is promised to Fieramosca, an academic artist who has not been favoured with a papal commission. Terry Gilliam’s exuberant production draws the protagonists into a delirious and joyful yet claustrophobic and megalomaniac world: a flaring up of contagious madness.

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60

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90

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For his opera Garnier stage-directing debut, Simon Stone creates a sensational La Traviata, 2.0! Pretty Yende and Benjamin Bernheim triumph as Violetta and Alfredo in a production that remixes the beloved operatic masterpiece’s familiar love story for the digital age, adding social media notifications, all-nighters, texts, and parties to produce an interpretation starkly appropriate for our modern era. At the podium, Michele Mariotti conducts the Paris National Opera Orchestra.

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6.6

/26/

68

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62

/3/

Celebrated tenor vocalist and classical-pop crossover Andrea Bocelli toplines this live concert from 2011. Mounted in New York City's Central Park, it features appearances by frequent Bocelli collaborators Celine Dion and David Foster. Selections include: "My Prayer," "Ave Maria," "Amarcord," Home On the Range," and many more.

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Ten years ago, the ‘Hannover Klassik Open Air’ was launched under the motto ‘Opera for everyone’. A success story that has lost none of its charm to this day. This anniversary show presents highlights from past open-air concerts with new international singing stars in Hanover's illuminated Maschpark.

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Pre-show of the Gala des Pièces jaunes: the concert event, which is a continuation of the charitable operation for the Hospitals Foundation.

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Against the backdrop of the Temple of Concordia in Agrigento and for the occasion illuminated with a play of lights that make the location even more evocative, Piero, Gianluca and Ignazio experience the magic of Christmas and write a letter to Santa Claus, just as they did as children.

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The ‘spectacular opening’ (Salzburger Nachrichten) of the Grafenegg Festival 2018 presented at the Midsummer Night's Gala lots of famous opera aria and orchestral hits from Verdi, Puccini, Rossini, Bellini, Offenbach, Elgar and more. The Tonkunstler Orchestra under Yutaka Sado was joined by the ‘terrific singer’ (Kurier) Pretty Yende, her ‘congenial partner’ (Kurier) Joseph Calleja and the wonderful cellist Harriet Krijgh. ‘A feast for the ears’ (Kurier).

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Every morning at dawn, in the Lammermuir hills in Southern Scotland, the beautiful Lucia meets Edgardo of Ravenswood, a mysterious young man with whom she is in love. However, just as in Shakespeare’s Romeo and Juliet, the lovers are the progeny of two feuding families and do not have the right to love each other. Lucia, a magnificent flower shattered by the violence of a society of men, is embodied by South Africa’s Pretty Yende, a rising star of the opera stage, in this production by Andrei Serban, conducted by Riccardo Frizza.

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Marie was found on a battlefield as a baby, and raised by the entire 21st Regiment as their 'daughter'. Her foster-father Sulpice has decreed that she should marry a soldier from the Regiment. When Marie falls for the Tyrolean Tonio, it looks as though she may have to choose between her family and true love.

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“Manon is like any person who, strolling down the street one day, glances up at a second-story window and catches a glimpse of a different life,” explains Vincent Huguet about his staging of Massenet’s Manon, “a life that she suddenly desires ardently … and will do anything to have.” In his update of Prévost’s famous novel, Huguet demonstrates, with empathy and acuity, that Manon’s tale could really be anyone’s.

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