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poster

?

4.0

/30/

10

/1/

A six year old boy runs away from home with the family's big dog, a St. Berhard, who the grown ups wants to put down.

poster

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10

/1/

It is midsummer in Oslo. There is intense activity on pier 1 just before the fjord boat is about to depart. The pier is crowded with people: families going to the countryside and fathers staying behind at home. Mrs. Rigmor Sande and her two children, Vesleper and Titten, are already on board and standing by the railing. Dad Per Sande, the soon-to-be grass cutter, is frantically searching for the family's suitcase, which has gone astray. The moorings are released and the boat is ready to depart. "You can leave your husband behind, but not your suitcase," exclaims the lively 21-year-old Ellen Stenersen. She and Per are left standing on the pier. They are old acquaintances and neighbors in the country. Per doesn't think being a grasshopper is so bad. He and his friend Stoffer throw themselves into the temptations of Oslo. The men are also accompanied by Ellen. Per and Ellen develop warm feelings for each other.

poster

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4.3

/25/

10

/1/

40

/1/

Imber has a child with the dubious fiancé Erland. He is destructive and his unhealthy lifestyle subjects his family to starvation and the death of their child. Imber falls in love with Arne and a settlement between Arne and Erland unfolds.

poster

?

6.3

/122/

Albert and Herbert Hansen love each other, in the way that fathers and sons usually do. They argue and bicker, but they don't take it too seriously. If it weren't for one particular thing, they could have continued indefinitely as companions and friends. But in the distance, wedding bells are ringing.

poster

?

5.9

/32/

10

/1/

40

/1/

Student Tom Polden lives in difficult conditions at home. His mother lives constantly on the memories of her deceased husband. Her little hat shop is rather poor and the economy is peal. Tom constantly hear about the magnificent father, and becomes a big blow when he overhears his father shot himself because he had embezzled a substantial amount of money.

poster

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10

/1/

First Norwegian film in color.

poster

66

?

6.6

/310/

55

/5/

73

/16/

The movie takes place on Oslo's east side sometime during the twenties. It depicts the workers' environment by traditional elements like unemployment, strike, poverty, alcoholism, absent fathers, wise and tired mothers, the dream of a better life and the friendship between the boys in the street.

poster

?

6.3

/87/

55

/4/

57

/7/

Having gone through many personal struggles, Eli (Lil Terselius) returns to her native village and begins to work on the farm of Ingeborg Eriksdotter (Anita Bjork), eventually tending a plot that once belonged to her family. But Eli has been gone a long time, and the opaque villagers see her as an outsider—she is suspicious from the start. The year is 1625, and stories of witches conjuring up evil are a part of the daily culture. Eli unwittingly makes matters worse for herself when she is able to cure the sick with herbs, and when she begins an affair with Aslak (Bjoern Skagestad) a farmhand—clearly she must have cast a spell on him. This all adds up to a witch hunt with a ready-made "witch." Eli, in the end, is officially accused of witchcraft by a devious bailiff, while Ingeborg makes every attempt to save her, and Aslak himself does not survive the stress—hardly a good omen for the outcome of the trial.

poster

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5.1

/83/

26

/3/

43

/6/

Werner is a private investigator. One day, the rich and attractive Stella Hvidsteen visits him in his weary office. She says that her sister Evy has disappeared, asks him to find her, and adds that her sister has red hair.

poster

65

?

6.7

/695/

64

/25/

62

/9/

3.4

/228/

Den siste Fleksnes (English: The last Fleksnes) is a 1974 Norwegian comedy film directed by Bo Hermansson, starring Rolv Wesenlund and Aud Schønemann. The film is based on the television sitcom Fleksnes Fataliteter.Marve Fleksnes (Wesenlund) lives a comfortable life with his mother (Schønemann), but misses a woman in his life. He is afraid he might become the last Fleksnes. His mother enrols him in a charm school, where he excels. At the same time, a young lady moves into the apartment across the hall.

poster

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The anniversary of The Norwegian Artists' Association. // Oslofilm was a series of public information films about life in and around Oslo, produced between 1940 and 1980. Funded by the state, the films offer valuable insight into postwar Norwegian society. A wide range of Norwegian filmmakers contributed to the productions, resulting in a rich variety of styles and expressions. Several of the films also possess notable cinematic qualities, standing out as more than just informational material. The Oslofilms represent a unique and important chapter in Norwegian film history.

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